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Matthew Lee Robinson

Australian actor

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 24, 2026
Entity authorityQ6791146 ↗
Source-derived summary

Matthew Lee Robinson is an Australian composer/lyricist and actor, most known for his musical theatre and television work.

Career

Robinson was born in Rockhampton, Queensland, and graduated from the Western Australian Academy of Performing Arts with a Bachelor of Arts (Musical Theatre). Direct from graduating he was cast in the original Australian cast of Mamma Mia!, during which time he began writing the songs which would form the basis of his first musical Metro Street. Robinson was cast as Teague in the World Premiere of Australian play God's Last Acre for Playbox Theatre Company (now Malthouse Theatre, Melbourne) and appeared in guest roles on television's Blue Heelers and Stingers as well as the telemovie Like Mother, Like Son: The Strange Story of Sante and Kenny Kimes, appearing opposite Mary Tyler Moore.

Robinson's songwriting garnered national attention when Metro Street won the 2004 Pratt Prize for Music Theatre, an $80,000 award for the best new musical submitted from within Australia. Robinson and longtime collaborator Lucy Durack created and toured Immaculate Confection, a showcase of Robinson's songs, through five states in Australia to critical acclaim before Robinson was cast as the title role in Pippin for Peter Cousens' Kookaburra. On the back of this, director Stuart Maunder cast him in three successive musicals for Opera Australia at the Sydney Opera House: Freddy Eynsford-Hill in My Fair Lady, Henrik in A Little Night Music and Frederic in The Pirates of Penzance. During this time, Robinson also appeared as a bit part in the Steven Spielberg/Tom Hanks/HBO miniseries The Pacific and as a weekly on-screen vocal coach on the FOX8 reality TV series The Singing Office.

In 2009, Robinson's first musical Metro Street had its World Premiere at the State Theatre Company of South Australia, co-produced by Arts Asia Pacific and Power Arts. It was then picked up by the Daegu International Musical Festival in South Korea where it was the festival's featured opening musical.

Editorial summary

This brief starts where responsible research should: with the source description of “Matthew Lee Robinson” as australian actor. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—2004, 2009—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Matthew, Robinson and Australian can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as australian actor. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Jul 24, 2026. The linked authority identifier is Q6791146. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2004 and 2009.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

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  • Building a first chronology
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  2. Expand the search: follow Matthew Lee Robinson primary sources, Matthew Lee Robinson archive and Matthew research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from “Matthew Lee Robinson” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.