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Master of the Třeboň Altarpiece

Bohemian painter, active 1380-1390

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 27, 2025
Entity authorityQ958362
Source-derived summary

The Master of the Třeboň Altarpiece (German: Master of Wittingau) was a Bohemian painter active in Prague around 1380–1390. His name is derived from the Třeboň Altarpiece from the church of Saint Giles at the Augustinian convent of Třeboň (known in German as "Wittingau"). The triptych depicts Christ on the Mount of Olives, The Tomb of Christ, and the Resurrection. It has been dated to around 1380, and is today held at the Convent of St. Agnes branch of the National Gallery in Prague.

Stylistically, the master seems to have been aware of French painting; in addition. He created the so-called "beautiful style", a Bohemian variant of the International Gothic style in which figures are placed in deep settings and modeled with chiaroscuro; such intensity had never before been seen in Bohemian art, but would be prominent in the work of future generations of artists. In addition, the master's influence can be seen in the work of other European artists of the period, most especially the Master of the Bamberg Altar.

A painting of Our Lady of Sorrows by the master, painted before 1380, once hung in the church of Církvice; a Madonna in Roudnice is now in Prague. The painter is also responsible for an Adoration of the Child in the castle of Hluboká Castle and a Crucifixion and a St.

Editorial summary

Begin with the source’s own compact description: “Master of the Třeboň Altarpiece” is bohemian painter, active 1380-1390. The dossier treats that line as a proposition to test through Master, Třeboň and Altarpiece, not as a finished interpretation.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1380, 1390—that can be checked directly. The linked authority record independently contributes the date 1400-01-01. For this dossier, Master, Třeboň and Altarpiece is the immediate research focus.
Editorial analysis

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The phrase “bohemian painter, active 1380-1390” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Dec 27, 2025. The linked authority identifier is Q958362. VIAF identifies the subject as 53061756. The Library of Congress control number is no2014094503. 1 of 5 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1380 and 1390.

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This entry incorporates text from Master of the Třeboň Altarpiece” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.