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Massacre Mania

1967 film by Paolo Bianchini

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 4, 2026
Entity authorityQ20814638
Source-derived summary

Massacre Mania (Italian: Hipnos follia di massacro) is an Italian 1967 science fiction film written and directed by Paolo Bianchini.

Plot

Cast

Robert Woods as Henry Spengler

Rada Rassimov as Nicole Bouvier

Ken Wood as Inspector Griffith

Fernando Sancho as Professor Kenitz

Lino Coletta as Maurice

Piero Gerlini as The Policeman

Nino Vingelli

Production

Massacre Mania was the third and final film directed by Paolo Bianchini for producer Gabriele Crisanti, following The Devil's Man and Superargo and the Faceless Giants.

The film was shot in eight weeks in and around Rome between February and March 1967.

Among the cast was Robert Woods. Woods described the script as improvized, stating that "these were nearly always collaborative efforts (where almost everyone involved had input)." Woods spoke positively about working on the film, specifically on how it was a departure from the Westerns and that he "loved the comic book implications" of Massacre Mania.

Style

In his book about Italian films inspired by comic books and their conventions, Roberto Curti described the film as "often labelled as a spy flick, Massacre Mania is actually a lot closer to the superhero films of the era, of which it represents a darker version, and very Italian too." Curti felt the film was a "strange mixture of science fiction, thriller and comic-book style adventure"

Release and reception

Massacre Mania was submitted to the Italian board of censors in October 1967, one month after Superargo and the Faceless Giants, but was eventually released earlier than that film. The Italian title for the film is Hipnos follia di massacro and is sometimes misspelled as Hypnos in reference books. Producer Gabriele Crisanti described the film's release as "a flop", acknowledging that he "made the mistake of giving it to a distributor-Vecchioni, the owner of United International Films-who went bankrupt before the film was released."

Director Paolo Bianchini did not have a high opinion of the film, stating that he had been "invited to conventions and film schools concerning [Massacre Mania]. But every time I watch it again, it's such a terrible thing.

Editorial summary

This brief starts where responsible research should: with the source description of “Massacre Mania” as 1967 film by Paolo Bianchini. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1967—that can be checked directly. The linked authority record independently contributes the date 1967. The account is most persuasive where Massacre, Mania and film can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1967 film by Paolo Bianchini. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Mar 4, 2026. The linked authority identifier is Q20814638. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1967.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Massacre Mania”, its source revision and the description used here.
  2. Expand the search: follow Massacre Mania primary sources, Massacre Mania archive and Massacre research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Massacre Mania”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Massacre Mania” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.