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Masques et bergamasques

composition by Gabriel Fauré

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 8, 2026
Entity authorityQ3297391 ↗
Source-derived summary

Masques et bergamasques, Op. 112, is an orchestral suite by Gabriel Fauré. It was arranged by the composer from incidental music he provided for a theatrical entertainment commissioned for Albert I, Prince of Monaco in 1919. The original score contained eight numbers, including two songs for tenor, and a choral passage. These numbers were not included in the published suite, which has four movements.

History

In 1918 Raoul Gunsbourg, manager of the Opéra de Monte-Carlo, invited Fauré to write a short work for the theatre. The impetus came from Fauré's friend and former teacher Camille Saint-Saëns, who suggested to Prince Albert that he should commission Fauré to write a short work for the Monte Carlo theatre. Fauré's opera Pénélope (1913) had been premiered there, and although he felt Gunsbourg had not fully appreciated the opera, Fauré accepted the new commission. He was director of the Paris Conservatoire, and his official duties limited the time he had for composition. For the proposed "choreographic divertissement", also billed as a "comédie lyrique", he reused material from earlier compositions.

Editorial summary

“Masques et bergamasques” enters the record as composition by Gabriel Fauré. Crown Archives preserves that source wording while asking what Masques, bergamasques and composition can confirm, complicate or overturn.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1919, 1918, 1913—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Masques, bergamasques and composition.
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“Masques et bergamasques” is worth following because a concise public description often conceals a longer documentary argument. Here, Masques, bergamasques and composition provides the most credible route into that argument.

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The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jul 8, 2026. The linked authority identifier is Q3297391. VIAF identifies the subject as 261099430. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1919, 1918 and 1913.

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This entry incorporates text from “Masques et bergamasques” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.