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Andrew Marton

Hungarian-American film director (1904-1992)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 23, 2026
Entity authorityQ506183 ↗
Source-derived summary

Andrew Marton (born Endre Marton; 26 January 1904 – 7 January 1992) was a Hungarian-American film director. In his career, he directed 39 films and television programmes, and worked on 16 as a second unit director, including the chariot race in Ben Hur (1959).

Life and career

Marton was born in Budapest, Hungary. After high-school graduation in 1922, he was taken by Alfréd Deésy to Vienna to work at Sascha-Film, mostly as an assistant editor. After a few months, he caught the attention of director Ernst Lubitsch, who convinced him to try Hollywood. Marton returned to Europe in 1927 and worked as the main editor of the Tobis company in Berlin, and later as an assistant director in Vienna. He directed his Two O'Clock in the Morning, " his first feature film, in 1929 in Great Britain. He joined a German expedition to Tibet in 1934, where he filmed Demon of the Himalayas. Marton cited that he was Jewish as a reason that the film could not be released with his name as director, citing a conversation he had had with Nazi Propaganda Minister Joseph Goebbels.

After returning to Hungary, he directed his only Hungarian movie in 1935 in Budapest.

Editorial summary

Begin with the source’s own compact description: “Andrew Marton” is hungarian-American film director (1904-1992). The dossier treats that line as a proposition to test through Andrew, Marton and Hungarian-American, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1904, 1992, 1959, 1922—that can be checked directly. The linked authority record independently contributes the date 1904-01-26. For this dossier, Andrew, Marton and Hungarian-American is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “hungarian-American film director (1904-1992)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Aug 23, 2026. The linked authority identifier is Q506183. VIAF identifies the subject as 74038164. The Library of Congress control number is n88226294. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1904, 1992, 1959 and 1922.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Andrew Marton”, its source revision and the description used here.
  2. Expand the search: follow Andrew Marton primary sources, Andrew Marton archive and Andrew research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Andrew Marton”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Andrew Marton” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.