CACrown ArchivesThe cinema collection
Menu
Research dossier · People & Ideas

Marie Pleyel

French pianist, composer and music educator (1811–1875)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 2, 2026
Entity authorityQ437228
Source-derived summary

Marie-Félicité-Denise Pleyel (née Moke; 4 July or 4 September 1811 – 30 March 1875) was a Belgian concert pianist.

Early life

With a father from Torhout in Flemish-speaking Belgium who was a language teacher, and a German mother who ran a lingerie shop in the 9th arrondissement, Pleyel was born in Paris and was trilingual. She studied the piano with Henri Herz, Moscheles, and Kalkbrenner. She gave her first formal recital at the age of eight, amazing the public with her young virtuosity.

The famous critic François Joseph Fétis wrote that he had heard all the famous pianists, but that none conveyed to him a sentiment of perfection like Madame Pleyel ("...mais je déclare qu'aucun d'eux ne m'a donné, comme Madame Pleyel, le sentiment de perfection.").

Marriage and later career

Berlioz was desperately in love with Pleyel, and in 1830 they became engaged. While he was in Italy, she broke off the engagement to marry Camille Pleyel, son of Ignaz Pleyel, and heir to the piano manufacturing business.

Pleyel was one of the most admired pianists of the 1830s. In 1848, she became chair of the piano department of the Brussels Conservatoire.

She died in Sint-Joost-ten-Node, near Brussels.

Editorial summary

The public source identifies “Marie Pleyel” as french pianist, composer and music educator (1811–1875). This brief keeps that definition visible, then builds a research path around Marie, Pleyel and French.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1811, 1875, 1830, 1848—that can be checked directly. The authority record carries competing date values—1811-09-04, 1811-01-01—which should remain separate until their references and qualifiers are resolved. Its value is orientation rather than verdict, with Marie, Pleyel and French providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Marie Pleyel”, the useful work is to connect “french pianist, composer and music educator (1811–1875)” to the records capable of establishing context and consequence.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Sep 2, 2026. The linked authority identifier is Q437228. VIAF identifies the subject as 56878338. The Library of Congress control number is no2011082620. 4 of 4 selected statements include explicit references; 1 carry qualifiers and 1 use preferred rank. The first chronological checks are 1811, 1875, 1830 and 1848.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Marie Pleyel”, its source revision and the description used here.
  2. Expand the search: follow Marie Pleyel primary sources, Marie Pleyel archive and Marie research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Marie Pleyel”?
  2. Which claims depend on a single source or contested interpretation?
  3. How has the subject’s reputation changed across later accounts?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Marie Pleyel” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.