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Marie Tiffany

American singer and opera singer (1881-1948)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 8, 2024
Entity authorityQ6763051 ↗
Source-derived summary

Marie Berg Tiffany (July 8, 1881 - April 12, 1948) was an American operatic lyric soprano. She was a member of the Metropolitan Opera in Manhattan, New York City, from 1916 to 1928; making 208 appearances at the Met throughout her career. She created roles in several world premieres at the Met and was the only performer to appear in all three one act operas at the premiere of Giacomo Puccini's Il Trittico in 1918.

Biography

She was born Marie Berg on July 8, 1881, in Chicago, Illinois.

Tiffany married court reporter Willis N. Tiffany in 1900 and resided with him for 16 years in California where she was a soloist at the First Presbyterian Church of Pasadena. In 1916 she moved to New York City, where she soon became a member of the Metropolitan Opera. She made her Met debut on November 17, 1916, as the Milliner in Richard Strauss' Der Rosenkavalier under conductor Artur Bodanzky. She remained at the Met for the next 12 years, singing mainly comprimario roles. She performed in several world premieres at the Met, including Reginald De Koven's The Canterbury Pilgrims (1917), Charles Wakefield Cadman's Shanewis (1918), Giacomo Puccini's Il Trittico (1918), Albert Wolff's L'oiseau bleu (1919), and Henry Kimball Hadley's Cleopatra's Night (1920). She also portrayed the role of Pomone in the United States premiere of Xavier Leroux's La reine Fiammette.

Editorial summary

This brief starts where responsible research should: with the source description of “Marie Tiffany” as american singer and opera singer (1881-1948). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1881, 1948, 1916, 1928—that can be checked directly. The linked authority record independently contributes the date 1881-07-08. The account is most persuasive where Marie, Tiffany and American can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as american singer and opera singer (1881-1948). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Jul 8, 2024. The linked authority identifier is Q6763051. VIAF identifies the subject as 72147266560035480503. The Library of Congress control number is no2009017123. None of the 3 selected statements returned an explicit reference. The first chronological checks are 1881, 1948, 1916 and 1928.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Marie Tiffany”, its source revision and the description used here.
  2. Expand the search: follow Marie Tiffany primary sources, Marie Tiffany archive and Marie research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Marie Tiffany”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Marie Tiffany” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.