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Marie Antoinette (soundtrack)

2006 compilation soundtrack album; various artists

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 6, 2026
Entity authorityQ6762746 ↗
Source-derived summary

Marie Antoinette: Original Motion Picture Soundtrack is the soundtrack album to the 2006 historical drama film Marie Antoinette. It was released on October 10, 2006, by Verve Forecast Records and Polydor Records. The soundtrack is composed heavily of atmospheric guitar-based rock music and electronic music, a trend established in previous Coppola films such as Lost in Translation and The Virgin Suicides, which were also produced by music director Brian Reitzell.

While the film itself is set in 18th-century France, the bulk of the soundtrack consists of 1980s new wave and post-punk artists such as Siouxsie and the Banshees, New Order, The Cure, and Bow Wow Wow. The soundtrack also contains several period baroque pieces, including works by François Couperin, Antonio Vivaldi, Jean-Philippe Rameau, and Domenico Scarlatti.

The limited-edition vinyl version has album art by Elizabeth Peyton. Roger Neill served as a historic music consultant on the film.

Reception

The album debuted at number 154 on the US Billboard 200. In its second week, it jumped to number 97.

It was nominated for Best Soundtrack at the 12th Critics' Choice Awards.

Editorial summary

“Marie Antoinette (soundtrack)” enters the record as 2006 compilation soundtrack album; various artists. Crown Archives preserves that source wording while asking what Marie, Antoinette and soundtrack can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2006—that can be checked directly. The linked authority record independently contributes the date 2006-10-10. Its strongest next move is a source search built around Marie, Antoinette and soundtrack.
Editorial analysis

Why this record matters

“Marie Antoinette (soundtrack)” is worth following because a concise public description often conceals a longer documentary argument. Here, Marie, Antoinette and soundtrack provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 6, 2026. The linked authority identifier is Q6762746. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2006.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Marie Antoinette (soundtrack)”, its source revision and the description used here.
  2. Expand the search: follow Marie Antoinette (soundtrack) primary sources, Marie Antoinette (soundtrack) archive and Marie research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Marie Antoinette (soundtrack)”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Marie Antoinette (soundtrack)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.