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Marianne Alfermann

actor and singer (1891–1942)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 22, 2025
Entity authorityQ1896768 ↗
Source-derived summary

Marianne Elisabeth Felicitas Alfermann (8 June 1891 – 27 February 1954) was a German soprano and actress.

Life

Born in Berlin, Alfermann came to the Stadttheater Main in 1910 after acting lessons and singing training in the soprano range voice. In December 1911 she had a guest performance at the Berlin Hofoper and so she left Mainz in 1912 and was a member of the ensemble there until 1917. From 1917 to 1918 she then worked in Frankfurt.

After that she lived in Berlin from 1918 on and worked as a guest from there, but at this time she already turned increasingly to operetta.

In the 1920s she continued her career at various Berlin stages as well as in the just-opened entertainment radio Funk-Stunde Berlin.

In March 1922 she married Gustav Lombard, the later SS-Brigadeführer and Major General of the Waffen-SS, from whom she had a son the same year.

In 1926 she played the leading role in a Hugo Hirsch's revue in Wieder Metropol". Still in 1927/28 she belonged to the operetta of the Berlin Central Theater. The stage yearbook 1934 notes "guest" under her Berlin address.

Editorial summary

The public source identifies “Marianne Alfermann” as actor and singer (1891–1942). This brief keeps that definition visible, then builds a research path around Marianne, Alfermann and actor.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1891, 1954, 1910, 1911—that can be checked directly. The linked authority record independently contributes the date 1891-01-01. Its value is orientation rather than verdict, with Marianne, Alfermann and actor providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Marianne Alfermann”, the useful work is to connect “actor and singer (1891–1942)” to the records capable of establishing context and consequence.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Aug 22, 2025. The linked authority identifier is Q1896768. VIAF identifies the subject as 159936753. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1891, 1954, 1910 and 1911.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Marianne Alfermann”, its source revision and the description used here.
  2. Expand the search: follow Marianne Alfermann primary sources, Marianne Alfermann archive and Marianne research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Marianne Alfermann”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which claims depend on a single source or contested interpretation?
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Source & attribution

This entry incorporates text from “Marianne Alfermann” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.