CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

Mariana Alandia

pianist

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 11, 2026
Entity authorityQ6762025 ↗
Source-derived summary

Mariana Alandia Navajas (Tarija) is a Bolivian classical pianist who interpreted most of the 20th century Bolivian classical composers.

Biography

Mariana Navajas Alandia began her piano studies with the teachers Mario Estensoro and Sarah Ismael. Further studies with Miguel Angel Quesada in Costa Rica, and later chamber music with Ramiro Soriano Arce at the National Conservatory of Music in La Paz, Bolivia, where she completed a piano degree. Corsi di perfezionamento musicale at the Academy G. Curci with Hector Pell (Rome) and Academia Chigiana, (Siena). Concerts in Bolivia, Italy, Austria and Peru. Her interpretations of the Bolivian composers are based on researches into Bolivian music history.

Texts

Piano music of Eduardo Caba, Humberto Viscarra Monje, Marvin Sandi, Alberto Villapando, and Florencio Pozadas:

Alandia, Mariana y Parrado, Javier. 2003 „A la vera del Piano“: T'inzakos, Revista Boliviana de Ciencias Sociales cuatrimestral del Programa de Investigación Estratégica en Bolivia (PIEB). Número 14 Juni 2003

No Hay caminos, hay que caminar... (about the interpretation and repertoire selection).

Editorial summary

Begin with the source’s own compact description: “Mariana Alandia” is pianist. The dossier treats that line as a proposition to test through Mariana, Alandia and pianist, not as a finished interpretation.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—2003—that can be checked directly. The linked authority record independently contributes the date 2000. For this dossier, Mariana, Alandia and pianist is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “pianist” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Aug 11, 2026. The linked authority identifier is Q6762025. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2003.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Mariana Alandia”, its source revision and the description used here.
  2. Expand the search: follow Mariana Alandia primary sources, Mariana Alandia archive and Mariana research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Mariana Alandia”?
  2. Which institution is responsible for the underlying evidence?
  3. Which cited source is closest to the event, object or claim?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Mariana Alandia” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.