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Marguerite McNulty

actor (1897-1982)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 2, 2026
Entity authorityQ20858091 ↗
Source-derived summary

Marguerite McNulty, who was regularly referred to in press as a “beauty”, was a U.S. stage actress. For decades in the early 20th century, she was cast in musical and other comedy productions on Broadway theatre, like the musical comedy Fifty Fifty, Ltd. (1919) and the Broadway farce The High Hatters (1928). McNulty was also cast in a single silent film, 1925's Ermine and Rhinestones. She was born in 1897 to Thomas Henry McNulty and Chloe Flora McNulty (née Sullivan) in Coffeeville, Kansas. In late 1925 she had filed suit against the scion William Andrews Clark III, the third grandson of the then very recently late railroad and mining magnate, financier, and U.S. Senator William A. Clark of Montana. McNulty's claim against the younger Clark was for his allegedly having breached his promise to marry her, which greatly surprised and disturbed his other girlfriend whom he had also promised to marry at the time (an 18 year old New York dancer named Katya Minnasian). For several years prior, McNulty had a romantic relationship with Clark III, which his family successfully discouraged. When the lawsuit was filed, Clark fled to South Africa to get away from the publicity, while Miss Minassian claimed that their betrothal was still on.

McNulty spent the majority of her adult life in San Francisco and performed in numerous stage plays with her older brother Ancyn T. McNulty (1892-1925), who was also a well known theatrical actor and producer/director.

Editorial summary

This brief starts where responsible research should: with the source description of “Marguerite McNulty” as actor (1897-1982). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1919, 1928, 1925, 1897—that can be checked directly. The linked authority record independently contributes the date 1897-06-05. The account is most persuasive where Marguerite, McNulty and actor can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as actor (1897-1982). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Apr 2, 2026. The linked authority identifier is Q20858091. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1919, 1928, 1925 and 1897.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Marguerite McNulty”, its source revision and the description used here.
  2. Expand the search: follow Marguerite McNulty primary sources, Marguerite McNulty archive and Marguerite research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Marguerite McNulty”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Marguerite McNulty” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.