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Margaret Keane

American artist (1927–2022)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 19, 2026
Entity authorityQ5402192
Source-derived summary

Margaret D. H. Keane (born Margaret Doris Hawkins; September 15, 1927 – June 26, 2022) was an American artist known for her paintings of subjects with big eyes. She mainly painted women, children, or animals in oil or mixed media. The work achieved commercial success through inexpensive reproductions on prints, plates, and cups. The artwork was originally attributed to Keane's then-husband, Walter Keane. Soon after their divorce in the 1960s, Margaret claimed credit, which was established after a courtroom "paint-off" in Hawaii, in which Walter refused to participate.

A resurgence of interest in Margaret Keane's work followed the release of Tim Burton's 2014 biopic Big Eyes. She maintained a gallery in San Francisco which boasts "the largest collection of Margaret Keane's art in the entire world." In light of the great gulf between her work's popularity and its critical lampooning, she was sometimes referred to as the "Wayne Newton of the art world."

Early life

Margaret Doris Hawkins was born elder of the two children of David Hawkins and Jessie (McBurnett) Hawkins on September 15, 1927, in Nashville, Tennessee. When she was two, one eardrum was permanently damaged during a mastoid operation. Unable to hear properly, she learned to watch the eyes of the person talking to her to understand them. She and her brother David studied in public schools.

Editorial summary

This brief starts where responsible research should: with the source description of “Margaret Keane” as american artist (1927–2022). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1927, 2022, 2014—that can be checked directly. The linked authority record independently contributes the date 1927-09-15. The account is most persuasive where Margaret, Keane and American can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as american artist (1927–2022). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Sep 19, 2026. The linked authority identifier is Q5402192. VIAF identifies the subject as 125096410. The Library of Congress control number is no2015052019. 3 of 4 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1927, 2022 and 2014.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Margaret Keane”, its source revision and the description used here.
  2. Expand the search: follow Margaret Keane primary sources, Margaret Keane archive and Margaret research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Margaret Keane”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from Margaret Keane” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.