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Marco Marazzoli

Italian composer and priest

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 7, 2024
Entity authorityQ1635475
Source-derived summary

Marco Marazzoli (1602? – 26 January 1662) was an Italian priest and Baroque music composer.

Early life

Born at Parma, Marazzoli received early training as a priest, and was ordained around 1625. He moved to Rome in 1626, and entered the service of Cardinal Antonio Barberini. In 1631, he and other musicians such as Filippo Vitali and Landi accompanied the cardinal on a trip to Urbino and may have accompanied him on other official travels. In 1637, Marazzoli was appointed Barberini's aiutante di camera, and became a tenor in the papal chapel that same year; in 1639 he was awarded the position of musico under Barberini.

Barberini patronage

About this time, it becomes possible to trace some of Marazzoli's compositions to specific places and functions. In 1638, he composed the music for a ballet La piazza d'Orlando for the Carnival of Venice and the intermedi for Chi soffre, speri for the Carnival of 1639. These two pieces were performed at the Palazzo Barberini.

After 1640, he began composing more for patrons in Ferrara and Venice, including an opera, L'Amore trionfante dello Sdegno (or L'Armida), for a Ferrarese wedding in 1641.

Editorial summary

Begin with the source’s own compact description: “Marco Marazzoli” is italian composer and priest. The dossier treats that line as a proposition to test through Marco, Marazzoli and Italian, not as a finished interpretation.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1602, 1662, 1625, 1626—that can be checked directly. The authority record carries competing date values—1602-01-01, 1602—which should remain separate until their references and qualifiers are resolved. For this dossier, Marco, Marazzoli and Italian is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “italian composer and priest” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Mar 7, 2024. The linked authority identifier is Q1635475. VIAF identifies the subject as 23206858. The Library of Congress control number is n82028126. 4 of 4 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1602, 1662, 1625 and 1626.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Marco Marazzoli”, its source revision and the description used here.
  2. Expand the search: follow Marco Marazzoli primary sources, Marco Marazzoli archive and Marco research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Marco Marazzoli”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from Marco Marazzoli” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.