CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

Marcos Madrigal

Cuban pianist

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 24, 2026
Entity authorityQ29639228
Source-derived summary

Marcos Madrigal (Havana) is a Cuban pianist.

Early life and career

Marcos Madrigal was three years old when he started studying piano.

In 2007, he graduated with honors from the University of Arts of Cuba (ISA) in Havana, under the guidance of the renowned professor and pianist Teresita Junco.

He attended Master Classes at the Conservatory of Southern Switzerland in Lugano and at the International Piano Academy Lake Como, where he had the chance to study with Andreas Staier, Dimitri Bashkirov, Fou Ts'ong, John Perry, Malcolm Bilson and especially with his mentor William Grant Naboré.

He has performed in recitals, and as a soloist with orchestra, in many of the most renowned concert halls of the world, such as the Teatro Colón of Buenos Aires, the Auditorium Parco della Musica of Rome, the Queen Elizabeth Hall of London, the National Concert Hall of Dublin, the Auditorium Manuel de Falla of Granada, the Bucharest Opera House, the Volkstheater of Vienna, the Teatro Rossini of Pesaro, the Teatro delle Muse of Ancona, the Teatro Gentile da Fabriano of Fabriano, the Teatro Góngora of Córdoba and the Qintai Grand Theater of Wuhan, working with notable conductors, such as Claudio Abbado, Leo Brouwer, Paul Mann, Enrique Diemecke and Lorenzo Ramos.

He has also collaborated in several projects with Oscar-winning composer Nicola Piovani, as well as with other distinguished composers in the film and theater world.

In 2015, he gave his celebrated debut in the United States at the Finney Hall in Oberlin, Ohio.

Since 2017 he has been the Artistic Director of Habana Clásica, an international classical music festival held in Havana.

Awards and outreach

He has received numerous awards in several international competitions, among which are the International Piano Competition "Premio Jaén" (Spain), the "Panama International Piano Competition" (Panama), the International Piano Competition "María Clara Cullel" (Costa Rica), and the International Piano Competition "Ignacio Cervantes" (Cuba).

In 2012, he was awarded the International Award "Gold Medal Maison des Artistes", granted by the Association for Culture, Arts, Science and Social Commitment at the Sapienza University of Rome.

Editorial summary

This brief starts where responsible research should: with the source description of “Marcos Madrigal” as cuban pianist. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—2007, 2015, 2017, 2012—that can be checked directly. The linked authority record independently contributes the date 1984-01-02. The account is most persuasive where Marcos, Madrigal and Cuban can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as cuban pianist. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Apr 24, 2026. The linked authority identifier is Q29639228. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2007, 2015, 2017 and 2012.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Marcos Madrigal”, its source revision and the description used here.
  2. Expand the search: follow Marcos Madrigal primary sources, Marcos Madrigal archive and Marcos research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Marcos Madrigal”?
  2. Which cited source is closest to the event, object or claim?
  3. What terminology or title could unlock a more precise catalogue search?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Marcos Madrigal” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.