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Marche slave

orchestral Tone poem by Pyotr Ilyich Tchaikovsky

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 16, 2026
Entity authorityQ922953
Source-derived summary

The Marche slave, also Marche slav (French pronunciation: [maʁʃ(ə) slav]) in B♭ minor, Op. 31, is an orchestral tone poem by Pyotr Ilyich Tchaikovsky published in 1876. It was written to celebrate Russia's intervention in the Serbo-Ottoman War.

It has been published variously as Slavic March (Serbian: Словенски марш / Slovenski marš; Russian: Славянский марш, romanized: Slavyanskiy marsh), Slavonic March, and Serbo-Russian March (Serbian: Српско-руски марш / Srpsko-ruski marš; Russian: Сербско-русский марш, romanized: Serbsko-russkiy marsh).

Background and composition

In June 1876, Serbia and the Ottoman Empire were engaged in the Serbian-Ottoman War, in which Russia openly supported Serbia.

The Russian Musical Society commissioned an orchestral piece from Tchaikovsky for a concert in aid of the Red Cross Society, and ultimately for the benefit of wounded Serbian veterans. Many Russians sympathized with their fellow Slavs and Orthodox Christians and sent volunteer soldiers and aid to assist Serbia.

Tchaikovsky referred to the piece as his "Serbo-Russian March" while writing it. It was premiered in Moscow on 17 November [O.S. 5 November] 1876, conducted by Nikolai Rubinstein.

The march is highly programmatic in its form and organization.

Editorial summary

The public source identifies “Marche slave” as orchestral Tone poem by Pyotr Ilyich Tchaikovsky. This brief keeps that definition visible, then builds a research path around Marche, slave and orchestral.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1876—that can be checked directly. The authority record carries competing date values—1876-09, 1876-10—which should remain separate until their references and qualifiers are resolved. Its value is orientation rather than verdict, with Marche, slave and orchestral providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Marche slave”, the useful work is to connect “orchestral Tone poem by Pyotr Ilyich Tchaikovsky” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 16, 2026. The linked authority identifier is Q922953. VIAF identifies the subject as 305991583. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1876.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Marche slave”, its source revision and the description used here.
  2. Expand the search: follow Marche slave primary sources, Marche slave archive and Marche research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Marche slave”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Marche slave” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.