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Mannequin Two: On the Move

1991 film by Stewart Raffill

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 14, 2026
Entity authorityQ1580539
Source-derived summary

Mannequin Two: On the Move is a 1991 romantic comedy film and a sequel to the 1987 film Mannequin. The film stars Kristy Swanson as a "peasant girl" named Jessie who is enchanted by evil sorcerer Spretzel's magic necklace, freezing her in the form of a wooden mannequin. She is to remain frozen for one thousand years, or until the necklace is removed by the person who will be her true love. In modern-day Philadelphia, she is freed by Jason Williamson (William Ragsdale), a new employee of the Prince & Company department store and the descendant of Jessie's original love Prince William. The two fall in love while avoiding Count Gunther Spretzle (Terry Kiser), the descendant of the evil sorcerer.

The original film's theme song "Nothing's Gonna Stop Us Now" by Starship, written by Diane Warren and Albert Hammond, was featured in this film. The original music score was composed by David McHugh. Though the sequel takes place in the same Philadelphia department store Prince & Company as the original film, only actors Meshach Taylor and Andrew Hill Newman returned from the original film. Taylor reprises the role of Hollywood Montrose and briefly references having witnessed a similar romance during the first film.

Plot

In AD 991, Prince William of the Germanic kingdom of Hauptmann-Koenig falls in love with a peasant girl named Jessie.

Editorial summary

“Mannequin Two: On the Move” enters the record as 1991 film by Stewart Raffill. Crown Archives preserves that source wording while asking what Mannequin, Move and film can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1991, 1987—that can be checked directly. The authority record carries competing date values—1991-01-01, 1991-06-06—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Mannequin, Move and film.
Editorial analysis

Why this record matters

“Mannequin Two: On the Move” is worth following because a concise public description often conceals a longer documentary argument. Here, Mannequin, Move and film provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 14, 2026. The linked authority identifier is Q1580539. 2 of 2 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1991 and 1987.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Mannequin Two: On the Move”, its source revision and the description used here.
  2. Expand the search: follow Mannequin Two: On the Move primary sources, Mannequin Two: On the Move archive and Mannequin research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Mannequin Two: On the Move”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from Mannequin Two: On the Move” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.