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Mandy Marahimin

Film Producer at Talamedia

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 16, 2026
Entity authorityQ122763591 ↗
Source-derived summary

Mandy Marahimin is an Indonesian film producer. In 2013, she co-founded a production company Talamedia (formerly known as Tanakhir Films), alongside actor Nicholas Saputra. She won the Citra Award for Best Live Action Short Film for producing Tumpal Tampubolon's short film The Sea Calls for Me at the 2021 ceremony.

Career

Marahimin graduated from University of Indonesia, majoring in communication studies. She began her career in the film industry in 1999 by organizing filmmaking workshops with Yayasan PopCorner Indonesia, where she met producer Mira Lesmana. She later worked as a film publicist on Petualangan Sherina and What's Up with Love?, both produced under Lesmana's production company Miles Films. In 2007, she served as a line producer on Riri Riza's 3 Days to Forever. In 2012, she founded Wujudkan, a crowdfunding website for Indonesian artists and creators.

In 2013, she co-founded a production company Talamedia (formerly known as Tanakhir Films) with actor Nicholas Saputra. The company's first film, Cinta dari Wamena, which tackles the issue of HIV/AIDS in Papua, was released in Indonesian theatres on 13 June 2013.

Editorial summary

“Mandy Marahimin” enters the record as film Producer at Talamedia. Crown Archives preserves that source wording while asking what Mandy, Marahimin and Film can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2013, 2021, 1999, 2007—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Mandy, Marahimin and Film.
Editorial analysis

Why this record matters

“Mandy Marahimin” is worth following because a concise public description often conceals a longer documentary argument. Here, Mandy, Marahimin and Film provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Feb 16, 2026. The linked authority identifier is Q122763591. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2013, 2021, 1999 and 2007.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  2. Expand the search: follow Mandy Marahimin primary sources, Mandy Marahimin archive and Mandy research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Mandy Marahimin” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.