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The Man from O.R.G.Y.

1970 film by James Hill

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 21, 2026
Entity authorityQ18915097
Source-derived summary

The Man from O.R.G.Y. (Organization for the Rational Guidance of Youth) (also known as The Real Gone Girls) is a 1970 comedy film directed by James Hill and starring Robert Walker Jr., Louisa Moritz, Slappy White, Lynne Carter and Steve Rossi, based on the 1965 novel of the same name by Ted Mark. It was filmed in Puerto Rico and New York City. The film has elements of espionage and sex.

Plot

Steve Victor is a spy and scientific investigator for the group Organization for the Rational Guidance of Youth (O.R.G.Y.). Victor is given a mission to determine the location of three prostitutes who are due $15 million from their deceased female manager. Victor starts on the trail knowing only that the three women each has a tattoo on her buttocks of a gopher grinning. He is stymied in his efforts by hired assassins Luigi and Vito. Luigi and Vito have an interest in the investigation because they provided financing for the burlesque business. Another prostitute Gina states her lack of interest in her owed portion of the money as she does not wish her wealthy spouse to find out about her activities. Gina tells Victor some clues about how to locate the other two women, although Victor later discovers they are both deceased.

Editorial summary

Begin with the source’s own compact description: “The Man from O.R.G.Y.” is 1970 film by James Hill. The dossier treats that line as a proposition to test through film, James and Hill, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1970, 1965—that can be checked directly. The linked authority record independently contributes the date 1970. For this dossier, film, James and Hill is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1970 film by James Hill” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Feb 21, 2026. The linked authority identifier is Q18915097. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1970 and 1965.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Man from O.R.G.Y.”, its source revision and the description used here.
  2. Expand the search: follow The Man from O.R.G.Y. primary sources, The Man from O.R.G.Y. archive and film research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Man from O.R.G.Y.”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from The Man from O.R.G.Y.” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.