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Mallet Concerto

percussion concerto by Ned Rorem

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 25, 2025
Entity authorityQ28404657
Source-derived summary

The Mallet Concerto is a concerto for mallet percussion instruments and chamber orchestra by the American composer Ned Rorem. It was first performed by the percussionist Evelyn Glennie and the Madison Symphony Orchestra under the conductor John DeMain in Madison, Wisconsin, on March 27, 2004.

Composition

Background

The concerto was completed in 2003. Typical of Rorem's late-period orchestral works, the piece calls for no unpitched percussion instruments, which was stipulated by the composer before he agreed to write the concerto for Evelyn Glennie. Rorem elaborated on this point in the score program notes, remarking, "After years of garnishing my orchestral works with every type of gong and drum, I've concluded that non-pitched percussion is superfluous, even in Beethoven. I am morally against all cymbal crashes, and feel that snares and bongos are strictly ornamental." He added, "The four elements of music are melody, harmony, counterpoint, and rhythm. Rhythm is the most dispensable." The concerto has a duration of roughly 24 minutes and is cast in seven movements.

Instrumentation

The work is scored for a solo percussionist and a chamber orchestra comprising flute, oboe, clarinets, horn, trumpet, trombone, and strings. The soloist's percussion battery consists of vibraphone, marimba, glockenspiel, and xylophone.

Reception

The piece has been praised by music critics.

Editorial summary

This brief starts where responsible research should: with the source description of “Mallet Concerto” as percussion concerto by Ned Rorem. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—2004, 2003—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Mallet, Concerto and percussion can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as percussion concerto by Ned Rorem. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Dec 25, 2025. The linked authority identifier is Q28404657. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2004 and 2003.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

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Source & attribution

This entry incorporates text from Mallet Concerto” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.