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Maikol Yordan de Viaje Perdido

2014 Costa Rican film directed by Miguel Alejandro Gómez

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 20, 2026
Entity authorityQ18711335 ↗
Source-derived summary

Maikol Yordan Traveling Lost (Spanish: Maikol Yordan de Viaje Perdido), also known as LaBrea BritoFrito Pelicula, is a 2014 Costa Rican comedy film directed by Miguel Alejandro Gómez. It was produced by the quartet of comedians La Media Docena (The Half Dozen). The film stars Mario Chacon, Daniel Moreno, Erick Hernandez, Edgar Murillo, Natalia Monge and Adal Ramones. It was filmed on locations in Costa Rica, Mexico, England, Italy and France. Maikol Yordan Traveling Lost tells the story of Maikol Yordan Soto Sibaja, a naive and good-natured Costa Rican farmer and his adventures traveling in Europe as he tries to prevent an evil businessman from taking over his family's farm. The film became the most watched Costa Rican film in history.

Plot

Maikol Yordan Soto Sibaja (Mario Chacón) is a humble farmer who migrates to the city in search of employment. After being unsuccessful, he returns to his home in the countryside where he reunites with his family: his wife Concepción (Natalia Monge) and their eight children, his grandmother Doña Milagro (Anabel Ulloa) and his cousin Heriberto (Boris Alonso). Once there, he learns that the property where he lives is about to be seized for accumulated debts and that there is a businessman named Malavassi (Adal Ramones) who is interested in acquiring the property. Maikol Yordan wins a contest to go to Europe with all his expenses paid and decides to go in order to find a job and ask for financial help from a distant cousin.

Editorial summary

Begin with the source’s own compact description: “Maikol Yordan de Viaje Perdido” is 2014 Costa Rican film directed by Miguel Alejandro Gómez. The dossier treats that line as a proposition to test through Maikol, Yordan and Viaje, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2014—that can be checked directly. The linked authority record independently contributes the date 2014. For this dossier, Maikol, Yordan and Viaje is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2014 Costa Rican film directed by Miguel Alejandro Gómez” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jun 20, 2026. The linked authority identifier is Q18711335. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2014.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Maikol Yordan de Viaje Perdido”, its source revision and the description used here.
  2. Expand the search: follow Maikol Yordan de Viaje Perdido primary sources, Maikol Yordan de Viaje Perdido archive and Maikol research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Maikol Yordan de Viaje Perdido”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Maikol Yordan de Viaje Perdido” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.