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Research dossier · Arts & Letters

Madonna and Child (workshop of Cima, Paris)

painting by the workshop of Cima da Conegliano in the Louvre

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 6, 2025
Entity authorityQ3842459 ↗
Source-derived summary

Madonna and Child is a 1504–1507 oil on panel painting by Cima da Conegliano, now in the Louvre, in Paris.

Editorial summary

“Madonna and Child (workshop of Cima, Paris)” enters the record as painting by the workshop of Cima da Conegliano in the Louvre. Crown Archives preserves that source wording while asking what Madonna, Child and workshop can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1504, 1507—that can be checked directly. The authority record carries competing date values—1504-01-01, 1504-01-17—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Madonna, Child and workshop.
Editorial analysis

Why this record matters

“Madonna and Child (workshop of Cima, Paris)” is worth following because a concise public description often conceals a longer documentary argument. Here, Madonna, Child and workshop provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Dec 6, 2025. The linked authority identifier is Q3842459. 1 of 2 selected statements include explicit references; 2 carry qualifiers and 0 use preferred rank. The first chronological checks are 1504 and 1507.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Madonna and Child (workshop of Cima, Paris)”, its source revision and the description used here.
  2. Expand the search: follow Madonna and Child (workshop of Cima, Paris) primary sources, Madonna and Child (workshop of Cima, Paris) archive and Madonna research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Madonna and Child (workshop of Cima, Paris)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Madonna and Child (workshop of Cima, Paris)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.