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Cameron Mackintosh

British theatre and musical producer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 24, 2026
Entity authorityQ712928 ↗
Source-derived summary

Sir Cameron Anthony Mackintosh (born 17 October 1946) is a British theatrical producer and theatre owner notable for his association with many commercially successful musicals. At the height of his success in 1990, he was described as being "the most successful, influential and powerful theatrical producer in the world" by the New York Times. He is the producer of shows including Les Misérables, The Phantom of the Opera, Cats, Miss Saigon, Mary Poppins, Oliver!, and Hamilton.

Mackintosh was knighted in 1996 for services to musical theatre. Two of his productions, Les Misérables and The Phantom of the Opera, are the two longest-running musicals in West End history. In 2008, The Daily Telegraph ranked him number 7 in their list of the "100 most powerful people in British culture". In the Sunday Times Rich List of 2021, Mackintosh was estimated to have a net worth of £1.2 billion.

Early life

Mackintosh was born in Enfield, London, the son of Diana Gladys (née Tonna), a production secretary, and Ian Robert Mackintosh, a timber merchant and jazz trumpeter. His father was Scottish, and his mother who was a native of Malta, was of Maltese and French descent. Mackintosh was educated at Prior Park College in Bath.

Editorial summary

This brief starts where responsible research should: with the source description of “Cameron Mackintosh” as british theatre and musical producer. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1946, 1990, 1996, 2008—that can be checked directly. The linked authority record independently contributes the date 1946-10-17. The account is most persuasive where Cameron, Mackintosh and British can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as british theatre and musical producer. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jul 24, 2026. The linked authority identifier is Q712928. VIAF identifies the subject as 79463078. The Library of Congress control number is n87807113. 4 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1946, 1990, 1996 and 2008.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Cameron Mackintosh”, its source revision and the description used here.
  2. Expand the search: follow Cameron Mackintosh primary sources, Cameron Mackintosh archive and Cameron research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Cameron Mackintosh”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Cameron Mackintosh” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.