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Music as a Weapon

series of rock concert tours

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 27, 2026
Entity authorityQ741412
Source-derived summary

Music as a Weapon is a series of concert tours created by the American heavy metal band Disturbed. There have been seven editions of the tour, five in North America and two in Australia. The name of the tour is from the lyrics of "Droppin' Plates" on Disturbed's first album, The Sickness.

Line-ups

Music as a Weapon (2001)

Disturbed

Drowning Pool

Adema

Stereomud

Systematic

Music as a Weapon II (2003)

Disturbed

Chevelle

Taproot

Ünloco

Music as a Weapon III (2006)

Disturbed

Stone Sour

Flyleaf

Nonpoint

Music as a Weapon: Australia and New Zealand (2008)

For a list of tour dates, see Indestructible Tour.

Disturbed

P.O.D.

Alter Bridge

Redline

Behind Crimson Eyes

Music as a Weapon IV (2009)

For a list of tour dates, see Indestructible Tour.

Disturbed

Killswitch Engage

Lacuna Coil

Chimaira

Suicide Silence

Spineshank

Crooked X

Bury Your Dead

Born of Osiris

After the Burial

Music as a Weapon V (2011)

For a list of tour dates, see Asylum Tour.

Disturbed

Korn

Sevendust

In This Moment

StillWell (second leg only)

This was the first time Music as a Weapon had co-headliners, Disturbed and Korn.

Music as a Weapon: Australia and New Zealand (2011)

For a list of tour dates, see Asylum Tour.

Disturbed

Trivium

As I Lay Dying

Forgiven Rival (Australian dates only)

These Four Walls (NZ dates only)

Live albums

Music as a Weapon II

Music as a Weapon II was recorded as a live album and DVD, created by Disturbed. It was recorded at The Aragon in Chicago in 2003, and released in 2004.

Editorial summary

“Music as a Weapon” enters the record as series of rock concert tours. Crown Archives preserves that source wording while asking what Music, Weapon and series can confirm, complicate or overturn.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—2001, 2003, 2006, 2008—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Music, Weapon and series.
Editorial analysis

Why this record matters

“Music as a Weapon” is worth following because a concise public description often conceals a longer documentary argument. Here, Music, Weapon and series provides the most credible route into that argument.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Jun 27, 2026. The linked authority identifier is Q741412. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2001, 2003, 2006 and 2008.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  • Search vocabulary
  • Locating named sources
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  2. Expand the search: follow Music as a Weapon primary sources, Music as a Weapon archive and Music research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from Music as a Weapon” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.