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Luigi Benfatto

Italian painter (1551-1611)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 21, 2026
Entity authorityQ6699960 ↗
Source-derived summary

Luigi Benfatto known as Alvise dal Friso (1551–1611) was an Italian painter of the late-Renaissance period. He was born at Verona, was the nephew and pupil of Paolo Veronese. He painted Glory of the saint for the church of St. Nicholas and pictures of St. Marta for the Church of Santa Marta al Collegio Romano. He is also called Luigi dal Friso and Alvise dal Friso (Alvise is the Venetian form of the Italian name Luigi). A pupil of his was Maffeo Verona.

References

Bryan, Michael (1886). Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical.

Editorial summary

Begin with the source’s own compact description: “Luigi Benfatto” is italian painter (1551-1611). The dossier treats that line as a proposition to test through Luigi, Benfatto and Italian, not as a finished interpretation.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1551, 1611, 1886—that can be checked directly. The linked authority record independently contributes the date 1551-01-01. For this dossier, Luigi, Benfatto and Italian is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “italian painter (1551-1611)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Aug 21, 2026. The linked authority identifier is Q6699960. VIAF identifies the subject as 95775517. 1 of 2 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1551, 1611 and 1886.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Luigi Benfatto”, its source revision and the description used here.
  2. Expand the search: follow Luigi Benfatto primary sources, Luigi Benfatto archive and Luigi research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Luigi Benfatto”?
  2. Which institution is responsible for the underlying evidence?
  3. Which cited source is closest to the event, object or claim?
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Source & attribution

This entry incorporates text from “Luigi Benfatto” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.