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Research dossier · Arts & Letters

Love gone

2001 song performed by Miho Komatsu

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 6, 2023
Entity authorityQ11230507 ↗
Source-derived summary

Love gone is the 12th single of the Japanese singer Miho Komatsu released under Giza studio label. It was released 31 January 2001. The single reached #26 rank first week and sold 15,020. It charted for two weeks and sold totally 19,640 copies.

Track list

All songs are written and composed by Miho Komatsu and arranged by Yoshinobu Ohga

"Love gone"

the song was used as an ending theme for both TBS show Kokoro TV and P.S. ~Pop Shake~.

Editorial summary

This brief starts where responsible research should: with the source description of “Love gone” as 2001 song performed by Miho Komatsu. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2001—that can be checked directly. The linked authority record independently contributes the date 2001-01-31. The account is most persuasive where Love, gone and song can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 2001 song performed by Miho Komatsu. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Nov 6, 2023. The linked authority identifier is Q11230507. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2001.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Love gone”, its source revision and the description used here.
  2. Expand the search: follow Love gone primary sources, Love gone archive and Love research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Love gone”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Love gone” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.