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Tiësto discography

Wikimedia artist discography

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 29, 2026
Entity authorityQ2121309 ↗
Source-derived summary

Throughout his career, Dutch electronic DJ and producer Tiësto has released seven studio albums. After spending years searching for his personal style and working with DJs like Ferry Corsten (as Gouryella), Benno de Goeij (as Kamaya Painters) and Armin van Buuren (as Alibi and Major League), he decided it was time to focus on his solo work. Tiësto's fame started to rise in the late 1990s after his set at the first ID&T Innercity party (Live at Innercity: Amsterdam RAI), and it continued to skyrocket in the early 2000s following his six-hour "Tiësto Solo" sets, which he performed without any other DJs or opening acts. His last three full-length releases broke the 70,000-unit mark, and the 2003 DJ mix Nyana hit 87,000, according to Nielsen SoundScan in mid-2008.

In 1994, Tiësto began releasing material on Noculan Records' sub-labels Chemo and Coolman. Later that year he signed to Basic Beat Recordings, where he met Arny Bink. Tiësto released records on the sub-label Trashcan, founded by Bink, and created the sub-label Guardian Angel with Bink, where they introduced the popular Forbidden Paradise series. From 1995 to 1996 Tiësto released four extended plays on Bonzai Jumps and XTC, sub-labels of Lightning Records. In 1997, Tiësto joined his friend Yves Vandichel on his sub-label, DJ Yves, a division of the now defunct Human Resource label XSV Music. In the fall of 1997, both Bink and Tiësto decided to leave Basic Beat and create their own parent label, now known as Black Hole Recordings.

Editorial summary

Begin with the source’s own compact description: “Tiësto discography” is wikimedia artist discography. The dossier treats that line as a proposition to test through Tiësto, discography and Wikimedia, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—2003, 2008, 1994, 1995—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Tiësto, discography and Wikimedia is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “wikimedia artist discography” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Aug 29, 2026. The linked authority identifier is Q2121309. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2003, 2008, 1994 and 1995.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Tiësto discography”, its source revision and the description used here.
  2. Expand the search: follow Tiësto discography primary sources, Tiësto discography archive and Tiësto research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Tiësto discography”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Tiësto discography” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.