Master of Animals

The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. The motif is very widespread in the art of Mesopotamia. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical, and the human figure may have animal elements such as horns, an animal upper body, an animal lower body, legs, or cloven feet. What the motif represented to the cultures that created the works probably varies greatly; however, when the figure is male, interpreters typically describe it as a hero, unless it is shown with specific divine attributes.

The motif is so widespread and visually effective that many depictions probably were conceived as decoration with only a vague meaning attached to them. The Master of Animals is the "favorite motif of Achaemenian official seals", but the figures in these cases should be understood as the king.

The human figure may be standing, as found from the fourth millennium BC, or as kneeling on one knee found from the third millennium BC. They are usually shown looking frontally, but in Assyrian pieces typically they are shown from the side. Sometimes the animals are clearly alive, whether fairly passive and tamed, or still struggling, rampant, or attacking. In other pieces they may represent dead hunter's prey.

Other associated representations show a figure controlling or "taming" a single animal, usually to the right of the figure.