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The Lion King 1½

2004 animated film directed by Bradley Raymond

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 23, 2026
Entity authorityQ223217 ↗
Source-derived summary

The Lion King 1+1⁄2 (known internationally as The Lion King 3: Hakuna Matata) is a 2004 American animated direct-to-video musical comedy film directed by Bradley Raymond and produced by Disneytoon Studios. The third Installment in the Lion King trilogy, the film is both a midquel and sidequel to The Lion King (1994), focusing on the supporting characters Timon and Pumbaa. A majority of the voice cast from the first film returns to reprise their roles, including Nathan Lane and Ernie Sabella as the voices of Timon and Pumbaa, respectively. The film's structure is inspired by Tom Stoppard's Rosencrantz and Guildenstern Are Dead, a tragicomedy that tells the story of Hamlet from the point of view of two minor characters. The Lion King 1+1⁄2 was released by Walt Disney Home Entertainment on February 10, 2004 and received generally positive reviews from critics.

Plot

In a home theater (a parody of Mystery Science Theater 3000) Timon and Pumbaa watch the opening act of the first film until Timon fast forwards to the Hakuna Matata scene where they appear. However, Pumbaa rewinds the film to the beginning so as not to confuse the audience. Timon decides to tell the story about how he and Pumbaa met and learned Hakuna Matata, which Pumbaa agrees to. They rewind the film to back before the beginning as their own story begins.

The meerkat Timon lives in his colony on the outskirts of the Pride Lands with his Ma and Uncle Max but is an outcast to the meerkats.

Editorial summary

This brief starts where responsible research should: with the source description of “The Lion King 1½” as 2004 animated film directed by Bradley Raymond. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2004, 1994—that can be checked directly. The authority record carries competing date values—2004-01-13, 2004-01-21—which should remain separate until their references and qualifiers are resolved. The account is most persuasive where Lion, King and animated can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 2004 animated film directed by Bradley Raymond. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 23, 2026. The linked authority identifier is Q223217. 3 of 3 selected statements include explicit references; 2 carry qualifiers and 0 use preferred rank. The first chronological checks are 2004 and 1994.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Lion King 1½”, its source revision and the description used here.
  2. Expand the search: follow The Lion King 1½ primary sources, The Lion King 1½ archive and Lion research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Lion King 1½”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “The Lion King 1½” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.