Longo Caminho
album by Os Paralamas do Sucesso

Longo Caminho (Portuguese for A Long Way) is the tenth studio album by Brazilian rock band Os Paralamas do Sucesso. It was released in 2002, one year after vocalist Herbert Vianna's accident with the ultralight plane that made him paraplegic. Most of the tracks were written before the accident.
Main hits of the album included "O Calibre", an aggressive song that is a critic to the urban violence, and the ballads "Cuide Bem do Seu Amor" and "Seguindo Estrelas". "O Calibre" would be featured on the soundtrack of the film Elite Squad: The Enemy Within eight years later its release.
"Soldado da Paz" was recorded by Cidade Negra in their MTV Unplugged album, while the title track was recorded by Zélia Duncan. Argentine musician Fito Páez, a recurring collaborator for the Paralamas, provided the organ for the song "Flores e Espinhos".
The track "Flores no Deserto" was written in honor of Marcelo Yuka, former drummer of the Brazilian rap rock band O Rappa. The track "Hinchley Pond" shares its name with a farm owned by the parents of Vianna's deceased wife, Lucy Needham Vianna.
"Amor em Vão" was recorded by Paulo Ricardo, bassist of the famous Brazilian band RPM. "Flores e Espinhos" was covered by Fat Family under the name "Sou Só Um".
“Longo Caminho” enters the record as album by Os Paralamas do Sucesso. Crown Archives preserves that source wording while asking what Longo, Caminho and album can confirm, complicate or overturn.
Why this record matters
“Longo Caminho” is worth following because a concise public description often conceals a longer documentary argument. Here, Longo, Caminho and album provides the most credible route into that argument.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Feb 9, 2024. The linked authority identifier is Q6674188. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2002.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Longo Caminho”, its source revision and the description used here.
- Expand the search: follow Longo Caminho primary sources, Longo Caminho archive and Longo research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Longo Caminho”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Longo Caminho” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.