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Lone Pine Film Festival

film festival

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 22, 2025
Entity authorityQ18151882 ↗
Source-derived summary

The Lone Pine Film Festival is an annual film festival held in Lone Pine, California, which celebrates the hundreds of films and television episodes that used Lone Pine, the Alabama Hills, and the nearby Sierra Nevada mountain range as film locations. Since the early years of filmmaking, directors and their production units have used the Lone Pine area to represent the iconic American West. Since The Roundup (1920), the first documented film produced in the area, Lone Pine has played host to hundreds of the industry's best known directors and actors, among them directors William Wyler, John Ford, George Stevens, and William Wellman, and actors John Wayne, Gene Autry, Roy Rogers, Bing Crosby, and Barbara Stanwyck. The festival at Lone Pine was held for the first time in 1990, then called the Sierra Film Festival. In 2019, the festival celebrated its thirtieth anniversary. Held annually over the Indigenous Peoples' Day weekend, the Lone Pine Film Festival is one of the most important Western film festivals in the United States. The festival is the only film fan gathering in the world which is held on location where the movies were shot.

History

The Lone Pine area was first used as a film location in 1920, when a movie production company came to the Alabama Hills to make the silent film The Round-Up. Other companies soon discovered the scenic location, and in the coming decades, over 400 films, 100 television episodes, and countless commercials used Lone Pine and the Alabama Hills as a film location. Some of the notable films shot here in the 1920s and 1930s include Riders of the Purple Sage (1925) with Tom Mix, The Enchanted Hill (1926) with Jack Holt, Somewhere in Sonora (1927) with Ken Maynard, Blue Steel (1934) with John Wayne, Hop-Along Cassidy (1935) with William Boyd, The Charge of the Light Brigade (1936) with Errol Flynn, Oh, Susanna!

Editorial summary

“Lone Pine Film Festival” enters the record as film festival. Crown Archives preserves that source wording while asking what Lone, Pine and Film can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1920, 1990, 2019, 1925—that can be checked directly. The linked authority record independently contributes the date 1990. Its strongest next move is a source search built around Lone, Pine and Film.
Editorial analysis

Why this record matters

“Lone Pine Film Festival” is worth following because a concise public description often conceals a longer documentary argument. Here, Lone, Pine and Film provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jan 22, 2025. The linked authority identifier is Q18151882. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1920, 1990, 2019 and 1925.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Lone Pine Film Festival”, its source revision and the description used here.
  2. Expand the search: follow Lone Pine Film Festival primary sources, Lone Pine Film Festival archive and Lone research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Lone Pine Film Festival”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Lone Pine Film Festival” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.