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Frieze Art Fair

international contemporary art fair

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 17, 2026
Entity authorityQ1464827
Source-derived summary

Frieze Art Fair is an annual contemporary art fair first held in 2003 in London's Regent's Park. Developed by the founders of the contemporary art magazine Frieze, the fair has since expanded to include editions in four cities, in addition to acquiring several other art fairs.

Following the original Frieze Art Fair (also referred to as Frieze London), the fair added Frieze Masters (2012), also in London, dedicated to art made before the year 2000; Frieze New York (2012); Frieze Los Angeles (2019); Frieze Seoul (2022); and Frieze Abu Dhabi (2026). In 2023, Frieze acquired The Armory Show in New York, and EXPO Chicago.

In 2016, American holding company Endeavor acquired a majority stake in Frieze. In 2025, the co-founder of Endeavor, Ari Emanuel, is set to buy Frieze in a deal valued at $200 million.

History

Frieze magazine was launched in 1991 by Amanda Sharp, Matthew Slotover, and artist Tom Gidley. The magazine was initially conceived of as an alternative to more established art publications like Artforum, and drew contributors like Hilton Als, Peter Schjeldahl, and Lynne Tillman.

In 2003, Slotover and Sharp parted ways with Gidley and launched Frieze Art Fair. Early editions of the fair saw steady increases in attendance, rising from 27,700 at the first fair to 105,000 in 2016.

Editorial summary

“Frieze Art Fair” enters the record as international contemporary art fair. Crown Archives preserves that source wording while asking what Frieze, Fair and international can confirm, complicate or overturn.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—2003, 2012, 2000, 2019—that can be checked directly. The linked authority record independently contributes the date 2003. Its strongest next move is a source search built around Frieze, Fair and international.
Editorial analysis

Why this record matters

“Frieze Art Fair” is worth following because a concise public description often conceals a longer documentary argument. Here, Frieze, Fair and international provides the most credible route into that argument.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Sep 17, 2026. The linked authority identifier is Q1464827. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2003, 2012, 2000 and 2019.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from Frieze Art Fair” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.