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Lola (singer)

Uzbekistani singer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 19, 2026
Entity authorityQ609143 ↗
Source-derived summary

Lola Yoʻldosheva (sometimes spelled Lola Yuldasheva in English) (Uzbek: Lola Yoʻldosheva, Лола Йўлдошева) (born September 4, 1985), better known simply as Lola, is an Uzbek singer, songwriter and film actress. She rose to prominence in Uzbekistan with her song "Muhabbatim" ("My Love") in 2003. Lola has recorded songs both in Uzbek and Russian.

Lola's first studio movie appearance was in the 2004 Uzbek film Sevinch. She received positive reviews for her performance in the film both from movie critics and fans. Her acting career reached a new high as a result of her starring role in the 2005 comedy Kelgindi kuyov ("The Alien Bridegroom"). Since then she has acted in several Uzbek movies.

In 2005, Lola got married and went on an indefinite hiatus, but returned to show business in 2011 with a series of solo concerts. In 2015, she was given a warning by Uzbeknavo, Uzbekistan's government agency that issues licenses to performers, for wearing a red low-back dress that “conflicts with the national mentality” while performing a duet with Rayhon. This controversy led to the suspension of Lola's license by Uzbeknavo in July 2015.

Editorial summary

“Lola (singer)” enters the record as uzbekistani singer. Crown Archives preserves that source wording while asking what Lola, singer and Uzbekistani can confirm, complicate or overturn.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1985, 2003, 2004, 2005—that can be checked directly. The linked authority record independently contributes the date 1985-09-04. Its strongest next move is a source search built around Lola, singer and Uzbekistani.
Editorial analysis

Why this record matters

“Lola (singer)” is worth following because a concise public description often conceals a longer documentary argument. Here, Lola, singer and Uzbekistani provides the most credible route into that argument.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Apr 19, 2026. The linked authority identifier is Q609143. VIAF identifies the subject as 24213923. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1985, 2003, 2004 and 2005.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Lola (singer)”, its source revision and the description used here.
  2. Expand the search: follow Lola (singer) primary sources, Lola (singer) archive and Lola research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Lola (singer)”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
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Source & attribution

This entry incorporates text from “Lola (singer)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.