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Live from the Powerhouse

live album

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 25, 2024
Entity authorityQ19893915 ↗
Source-derived summary

Live from the Powerhouse is an album rehearsed in six days, starting on 1 March 2002 in the seaside town of Rye, Victoria in Australia, by multicultural group Mozaik featuring Andy Irvine, Dónal Lunny, Bruce Molsky, Nikola Parov and Rens van der Zalm.

The Australian tour that followed culminated in two gigs recorded at the Brisbane Powerhouse on 30/31 March 2002 and the resulting album was eventually released in 2004, under license to Compass Records.

Recording

The album opens with "My Heart's Tonight in Ireland", the band's re-working of the song that Irvine recorded solo on his album Rain on the Roof in 1996; the song then segues into "Robinson County/The Trip to Durrow", two tunes in 44 time where Molsky and van der Zalm on fiddles combine American old-timey style and Irish traditional music.

"Suleiman's Kopanitsa" is an adaptation of "Dance of Suleiman", recorded by Irvine on the album East Wind, where Davy Spillane's uilleann pipes played the main melodies with sustains, vibrato and occasional grace notes. This time round, though, all the melodic phrases are re-worked for string instruments emphasising the 1116 kopanitsa rhythm (2–2–3–2–2) with exquisitely crafted counter-harmonies from Irvine (mandola), van der Zalm (mandolin) and Lunny (bouzouki), augmented by Parov (gadulka and kaval) and Molsky (fiddle).

"The Rocky Road to Dublin" is the American old-timey version first recorded in the 1920s by Allen Sisson and "Indian Ate the Woodchuck" comes from the American old-timey fiddler Ed Haley.

"Romanian Horă" is a fiddle tune learnt from Jacky Molard and played by van der Zalm, followed by Molsky adding "Black Jack Grove" and its Blueridge mountains feel.

"Sandansko Oro" is a slow Macedonian tune in 2216 time and is followed by "Menchin Kamen" in slow 1816 time (also from the album East Wind), sung here by Irvine.

"Pony Boy" is a fiddle duet played by Molsky and van der Zalm to set the stage for "Never Tire of the Road", Irvine's tribute to his long-standing hero Woody Guthrie. In this rendition, Irvine adds Guthrie's chorus: "All of you fascists bound to lose".

Editorial summary

This brief starts where responsible research should: with the source description of “Live from the Powerhouse” as live album. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2002, 2004, 1996, 1116—that can be checked directly. The linked authority record independently contributes the date 2004. The account is most persuasive where Live, Powerhouse and live can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as live album. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 25, 2024. The linked authority identifier is Q19893915. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2002, 2004, 1996 and 1116.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Live from the Powerhouse”, its source revision and the description used here.
  2. Expand the search: follow Live from the Powerhouse primary sources, Live from the Powerhouse archive and Live research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Live from the Powerhouse”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Live from the Powerhouse” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.