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Liu Bolin

Chinese artist

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 17, 2026
Entity authorityQ710377
Source-derived summary

Liu Bolin (simplified Chinese: 刘勃麟; traditional Chinese: 劉勃麟; pinyin: Liú Bólín; born 7 January 1973) is a Chinese contemporary artist who specialises in self-portraits where he is disguised to match his surroundings. He earned his Bachelor of Fine Arts from the Shandong College of Arts in 1995 and his Master of Fine Arts from the Central Academy of Fine Arts in Beijing in 2001. His work has been exhibited in museums around the world. Also known as "the invisible man", Liu's most popular works are from his "Hiding in the City" series, photographic works that began as performance art in 2005 in response to the artists' village in which he worked in Beijing being demolished in preparation for the 2008 Beijing Olympics.

Since his first solo shows in Beijing in 1998, Liu's work has received international recognition. Among other international venues, his distinctive photographs and sculptures have been shown at the major contemporary photography festival Les Rencontres d'Arles and he had solo shows at Dashanzi Art Zone in Beijing (2007), Galerie Bertin-Toublanc in Paris (2007), Klein Sun Gallery in New York (2008), Galerie Paris-Beijing in Paris and Brussels (2013), Boxart Gallery in Verona (2008), Forma Foundation for Photography in Milan (2010), and the H. C. Andersen Museum in Rome (2012).

Personal life

Liu belongs to the generation that came of age in the early 1990s, when China emerged from the rubble of the Cultural Revolution and was beginning to enjoy rapid economic growth and relative political stability. He currently lives and works in Beijing, China.

Series

Hiding in the City

Liu was moved to create his "Hiding in the City" series after the destruction of the Beijing artists' village Suo Jia Cun in November 2005. At the time of the destruction, Liu had been working in Suo Jia Cun, previously given the title of Asia's largest congregation of artists.

Editorial summary

“Liu Bolin” enters the record as chinese artist. Crown Archives preserves that source wording while asking what Bolin, Chinese and artist can confirm, complicate or overturn.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1973, 1995, 2001, 2005—that can be checked directly. The authority record carries competing date values—1973-01-07, 1973-01-01—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Bolin, Chinese and artist.
Editorial analysis

Why this record matters

“Liu Bolin” is worth following because a concise public description often conceals a longer documentary argument. Here, Bolin, Chinese and artist provides the most credible route into that argument.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Jun 17, 2026. The linked authority identifier is Q710377. VIAF identifies the subject as 223473799. The Library of Congress control number is no2012007678. 4 of 4 selected statements include explicit references; 1 carry qualifiers and 1 use preferred rank. The first chronological checks are 1973, 1995, 2001 and 2005.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

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  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Liu Bolin”, its source revision and the description used here.
  2. Expand the search: follow Liu Bolin primary sources, Liu Bolin archive and Bolin research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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  2. Which claims depend on a single source or contested interpretation?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from Liu Bolin” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.