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Lino António

Portuguese painter (1898-1974)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 7, 2026
Entity authorityQ9022783 ↗
Source-derived summary

Lino António da Conceição (26 November 1898 – 23 October 1974) was a Portuguese artist known for his Modernist paintings. He made many friezes, frescos, stained glass and ceramic panels for public buildings and private collections in Portugal. He taught in several schools and was director for many years at the Escola Secundária Artística António Arroio (António Arroio Secondary Arts School) in Lisbon, having an influence over hundreds of artists, mostly painters and designers.

Life

Lino António da Conceição was born in Leiria on 26 November 1898.

His parents were Lino António da Conceição and Maria do Carmo Pereira Dias da Conceição.

He had two older sisters and two younger sisters.

He spent time in the studio of his teacher and friend Narciso Costa.

He took a course in Ornamental Design at the Industrial School of Domingos Sequeira in Leiria, then attended the Lisbon School of Fine Arts, where he was a brilliant student.

On 1 October 1915 he enrolled at the Porto School of Fine Arts, where he studied under João Marques de Oliveira.

By 1917 António was attending the "modernist gatherings" of Porto students described by the sculptor Diogo de Macedo, often held in the Excelsior café.

Editorial summary

This brief starts where responsible research should: with the source description of “Lino António” as portuguese painter (1898-1974). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1898, 1974, 1915, 1917—that can be checked directly. The linked authority record independently contributes the date 1898-11-26. The account is most persuasive where Lino, António and Portuguese can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as portuguese painter (1898-1974). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jul 7, 2026. The linked authority identifier is Q9022783. VIAF identifies the subject as 294844361. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1898, 1974, 1915 and 1917.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow Lino António primary sources, Lino António archive and Lino research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Lino António” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.