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The Lillingtons

American pop punk band

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 6, 2026
Entity authorityQ7747354
Source-derived summary

The Lillingtons were a pop-punk band formed in 1995 in Newcastle, Wyoming. The band is composed of its original members, vocalist and lead guitarist Kody Templeman, drummer Tim O’Hara, bassist Cory Laurence, and later added rhythm guitarist Alex Volonino.

History

The original lineup consisting of Kody Templeman, Zack Rawhauser, Cory Laurence, and Tim (Timmy V) O'Hara as a four-piece only recorded the first 7","I Lost My Marbles", produced by Joe King of The Queers for his More Bounce to the Ounce compilation CD. The band continued as a three-piece after Zack quit.

Their first full-length album, titled Shit Out of Luck, was released on Clearview Records in 1996. Following the release of their first album the band changed their lyrical focus. In 1999 they went into the studio with producer-engineer Mass Giorgini to record a new LP. This was done with the band's own money, and without the benefit of a record label. The result was Death by Television, released on March 30, 1999, an album that took sci-fi movie-themed songs such as "War Of The Worlds" and "Invasion Of The Saucermen" and combined them with tracks that made references to other retro themes, such as "X-Ray Specs." The recordings instantly created a buzz. Successful label Fat Wreck Chords offered to release the album, but the band had already accepted an offer. They signed with Panic Button Records, an imprint of influential punk label Lookout! Records that was overseen by Ben Weasel and John Jughead Pierson of Screeching Weasel fame.

Editorial summary

The public source identifies “The Lillingtons” as american pop punk band. This brief keeps that definition visible, then builds a research path around Lillingtons, American and punk.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1995, 1996, 1999—that can be checked directly. The linked authority record independently contributes the date 1995. Its value is orientation rather than verdict, with Lillingtons, American and punk providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “The Lillingtons”, the useful work is to connect “american pop punk band” to the records capable of establishing context and consequence.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 6, 2026. The linked authority identifier is Q7747354. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1995, 1996 and 1999.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow The Lillingtons primary sources, The Lillingtons archive and Lillingtons research across catalogues and specialist indexes.
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Source & attribution

This entry incorporates text from The Lillingtons” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.