Lila (Hinduism)
Sanskrit word, "divine play"

Lila (Sanskrit: लीला līlā) or leela () can be loosely translated as "divine play". The concept of lila asserts that creation, instead of being an objective for achieving any purpose, is rather an outcome of the playful nature of the divine. As the divine is perfect, it could have no want fulfilled, thereby signifying freedom, instead of necessity, behind the creation.
The concept of lila is common to both non-dualist and dualist philosophical schools of Indian philosophy, but has a markedly different significance in each. Within non-dualism, lila is a way of describing all reality, including the cosmos, as the outcome of creative play by the divine absolute (Brahman). In Vaishnavism, lila refers to the activities of God and devotee, as well as the macrocosmic actions of the manifest universe.
Translation
There are multiple theories about the derivation of lila. It may be derived from the Sanskrit root lal, which suggests playfulness of children or someone delicate.
According to Edwin Bryant, lila cannot be translated as "sport" or "game", since those words suggest a motivation of competition. In contrast, lila is "pure play, or spontaneous pastime", which has no purpose other than experiencing joy.
The public source identifies “Lila (Hinduism)” as sanskrit word, "divine play". This brief keeps that definition visible, then builds a research path around Lila, Hinduism and Sanskrit.
Why this record matters
A short description can identify a subject without explaining its stakes. For “Lila (Hinduism)”, the useful work is to connect “sanskrit word, "divine play"” to the records capable of establishing context and consequence.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 7, 2026. The linked authority identifier is Q1163669. None of the 0 selected statements returned an explicit reference.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Lila (Hinduism)”, its source revision and the description used here.
- Expand the search: follow Lila (Hinduism) primary sources, Lila (Hinduism) archive and Lila research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Lila (Hinduism)”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Lila (Hinduism)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.