Lewis Hallam Jr.
American theater manager (1740-1808)

Lewis Hallam Jr. (c. 1740 – November 1, 1808) was an England-born American actor and theater manager, son of Lewis Hallam, one of the pioneers of Theater in the United States, and Sarah Hallam Douglass. He was the leading actor of the Old American Company, at the time the only theater in America, and the manager of the same Company in 1779-1796.
Life
Hallam came to America in 1752, with his family, as a member of the company of his father and uncle, the future Old American Company. His mother, who was also an actress, was a relative of Christopher Rich, a theater manager. This was the first professional theater in North America. They toured the colonies and performed The Merchant of Venice and The Anatomist.
Hallam first performed in Williamsburg, Virginia. He was the "earliest known American Hamlet and (played) Arsaces, the hero of the first professionally produced American play, The Prince of Parthia" in 1752.
In 1756, his father died, and his mother married David Douglass and united his company with hers, becoming the Old American Company in 1758.
The public source identifies “Lewis Hallam Jr.” as american theater manager (1740-1808). This brief keeps that definition visible, then builds a research path around Lewis, Hallam and American.
Why this record matters
A short description can identify a subject without explaining its stakes. For “Lewis Hallam Jr.”, the useful work is to connect “american theater manager (1740-1808)” to the records capable of establishing context and consequence.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Feb 25, 2026. The linked authority identifier is Q6536651. VIAF identifies the subject as 36783018. The Library of Congress control number is nr92030917. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1740, 1808, 1779 and 1796.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Lewis Hallam Jr.”, its source revision and the description used here.
- Expand the search: follow Lewis Hallam Jr. primary sources, Lewis Hallam Jr. archive and Lewis research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Lewis Hallam Jr.”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Lewis Hallam Jr.” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.