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Lev Pulver

Soviet Jewish theatre composer (1883-1970)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 2, 2026
Entity authorityQ2074443 ↗
Source-derived summary

Lev Mikhailovich Pulver (Yiddish pronunciation: Leib Pulver, Yiddish: לייב פּולווער, European spelling: Leo Pulver, Russian: Лев Михайлович Пульвер; 18 December 1883, Verkhnodniprovsk – 18 March 1970, Moscow), was a Soviet and Russian-Jewish composer and musician.

Early life

He was an offspring of a renowned klezmorim's family.

Pulver studied violin since early childhood, at first with his father; later on, he studied with his brother-in-law, a disciple of Czech violinist Otakar Ševčík. Pulver graduated from Saint Petersburg Conservatory, where he studied violin and composition under Anatoly Lyadov.

Initially, he was a violinist and composer in a wandering Ukrainian theatre group. Later on, he was a symphonic concert-master and conductor, a founding member of the Stradivari Quartet. He was the musical director of the State Jewish Theatre in Moscow (the GOSET).

Compositions

Pulver composed incidental music for works including Shakespeare's King Lear; Sholem Aleichem's 200.000 and The Man of the Air; Adventures of Benjamin the Third after Mendele Mocher Sforim; Abraham Goldfaden's The Sorceress (in collaboration with Joseph Achron); and Zalman Shneyer's Freylekhs (in collaboration with Maximilian Steinberg). He also composed operettas (Gulliver, Inside the Big Top, What is her name?), movie scores, songs, and Yiddish folk-song arrangements. Some of his tunes have been considered as Jewish folklore.

Editorial summary

This brief starts where responsible research should: with the source description of “Lev Pulver” as soviet Jewish theatre composer (1883-1970). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1883, 1970—that can be checked directly. The linked authority record independently contributes the date 1883-12-06. The account is most persuasive where Pulver, Soviet and Jewish can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as soviet Jewish theatre composer (1883-1970). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Sep 2, 2026. The linked authority identifier is Q2074443. VIAF identifies the subject as 258302433. The Library of Congress control number is no2013049461. 2 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1883 and 1970.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Lev Pulver”, its source revision and the description used here.
  2. Expand the search: follow Lev Pulver primary sources, Lev Pulver archive and Pulver research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Lev Pulver”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Lev Pulver” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.