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The Witches (1967 film)

1967 film by 5 different directors: Luchino Visconti, Pier Paolo Pasolini, Vittorio De Sica, Mauro Bolognini, Franco Rossi

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 6, 2026
Entity authorityQ2661437 ↗
Source-derived summary

The Witches (Italian: Le streghe) is a 1967 commedia all'italiana anthology film produced by Dino De Laurentiis in 1965. It consists of five comic stories dealing with the roles of women in Italian society, directed by Luchino Visconti, Mauro Bolognini, Pier Paolo Pasolini, Franco Rossi and Vittorio De Sica. The film stars Silvana Mangano and features Clint Eastwood, Annie Girardot, Totò and Alberto Sordi. It was the last film starring Totò to be released in his lifetime.

Plot

"The Witch Burned Alive"

Gloria, a famous actress, attends the 10th anniversary party of her friend Valeria and her unfaithful husband Paolo at the couple's home in Kitzbühel, Austria. Envied by the women and pursued by the men, including Paolo, Gloria passes out from drinking while performing a dance for the guests. Feigning concern, the female guests remove her headdress and false eyelashes while making catty remarks about her imperfections. Later, Gloria discovers that she is pregnant and telephones her husband/manager in New York, who does not support her desire to take a break from acting to have children, leading to an argument. She leaves nonchalantly the next day, besieged by paparazzi as she boards a helicopter.

"Civic Spirit"

Stuck in a traffic jam in Rome, a woman offers to drive a man injured in a car accident to the hospital.

Editorial summary

Begin with the source’s own compact description: “The Witches (1967 film)” is 1967 film by 5 different directors: Luchino Visconti, Pier Paolo Pasolini, Vittorio De Sica, Mauro Bolognini, Franco Rossi. The dossier treats that line as a proposition to test through Witches, film and different, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1967, 1965—that can be checked directly. The linked authority record independently contributes the date 1967-01-01. For this dossier, Witches, film and different is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1967 film by 5 different directors: Luchino Visconti, Pier Paolo Pasolini, Vittorio De Sica, Mauro Bolognini, Franco Rossi” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 6, 2026. The linked authority identifier is Q2661437. The Library of Congress control number is n2011026249. 1 of 2 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1967 and 1965.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Witches (1967 film)”, its source revision and the description used here.
  2. Expand the search: follow The Witches (1967 film) primary sources, The Witches (1967 film) archive and Witches research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Witches (1967 film)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “The Witches (1967 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.