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Les Paladins

opera by Jean-Philippe Rameau

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 22, 2026
Entity authorityQ3234424
Source-derived summary

Les Paladins is an opera by Jean-Philippe Rameau first performed on 12 February 1760 at the Paris Opera. The author of the libretto is not known for sure but was probably one of the Duplat de Monticourt brothers. Rameau called Les Paladins a comédie lyrique, putting it in the same category as his earlier work Platée.

Authorship of the libretto

The identity of the librettist is uncertain. In the 18th century, Charles Collé relayed the rumour that the author was Gentil-Bernard. However, Les spectacles de Paris of 1770 and, later, Louis-François Beffara claimed the text was by Duplat de Monticourt, without specifying whether this meant Jean-François Duplat de Monticourt or his brother Pierre-Jacques. In her 2014 biography of the composer, the Rameau specialist Sylvie Bouissou inclines slightly to the belief it was Pierre-Jacques, given his greater experience of writing for the theatre.

The plot is based on a verse tale by Jean de la Fontaine, Le petit chien qui secoue de l'argent et des pierreries (The Little Dog shaking Money and Gems), itself derived from an episode in Ludovico Ariosto's Orlando Furioso.

Roles

Synopsis

Act 1

Scene: An old castle near a forest

Argie is in love with the paladin Atis. But her guardian, Anselme, wants to marry her himself and is holding Argie captive along with her friend Nérine.

Editorial summary

Begin with the source’s own compact description: “Les Paladins” is opera by Jean-Philippe Rameau. The dossier treats that line as a proposition to test through Paladins, opera and Jean-Philippe, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1760, 1770, 2014—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Paladins, opera and Jean-Philippe is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “opera by Jean-Philippe Rameau” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Apr 22, 2026. The linked authority identifier is Q3234424. VIAF identifies the subject as 182197492. The Library of Congress control number is nr2004014208. None of the 2 selected statements returned an explicit reference. The first chronological checks are 1760, 1770 and 2014.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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Three-step research path

  1. Establish the record: confirm the title “Les Paladins”, its source revision and the description used here.
  2. Expand the search: follow Les Paladins primary sources, Les Paladins archive and Paladins research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Les Paladins”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Les Paladins” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.