Les Concerts en Chine
1982 live album by Jean-Michel Jarre
Les Concerts en Chine (pronounced [le kɔ̃sɛʁ ɑ̃ ʃin], English title: The Concerts in China) is a live album by Jean-Michel Jarre, recorded in 1981 and released in 1982 on Disques Dreyfus. It was recorded during Jarre's Concerts in China tour of Autumn 1981, which consisted of five Beijing and Shanghai concerts in China; this was the first time a Western pop artist performed in China after the Cultural Revolution.
The album is a balance of previously released tracks by Jarre, new compositions inspired by Chinese culture, and one rearranged traditional Chinese track, "Fishing Junks at Sunset" ("Jonques de pêcheurs au crépuscule").
The album consists mainly of live material, plus ambient sound recordings and one new studio track "Souvenir of China". Other new compositions recorded live include "Nuit à Shanghai", "Harpe Laser", "Arpégiateur" and "Orient Express". "Jonques de pêcheurs au crépuscule" ("Fishing Junks at Sunset") is a new arrangement of a very old traditional Chinese song known as the "Fisherman's Chant at Dusk", which was performed and recorded with The Peking Conservatoire Symphony Orchestra and is often wrongly attributed as being composed by Jean-Michel Jarre, misled by the album inlay.
Several of the tracks are misleadingly titled. The track labelled as "Magnetic Fields Part 1" is merely 30 seconds of table tennis sound effects and has no similarity with the studio track of the same name; in a 2018 interview with The Domino Elf, Jarre stated that he included the track as a joke. Meanwhile, "Band in the Rain" is actually part 8 of Equinoxe, "The Last Rhumba" is part 5 of Magnetic Fields, and "The Overture" is part 1 of Magnetic Fields slowed down.
The album was originally released as a double-disc LP, then as a double-disc CD. There was also a CD release in two separate volumes, with the cover color changed to blue (Vol.
“Les Concerts en Chine” enters the record as 1982 live album by Jean-Michel Jarre. Crown Archives preserves that source wording while asking what Concerts, Chine and live can confirm, complicate or overturn.
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“Les Concerts en Chine” is worth following because a concise public description often conceals a longer documentary argument. Here, Concerts, Chine and live provides the most credible route into that argument.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated May 14, 2026. The linked authority identifier is Q1077744. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1981, 1982 and 2018.
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This entry incorporates text from “Les Concerts en Chine” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.