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Workers Leaving the Lumière Factory

1895 French short black-and-white silent documentary film directed by Auguste and Louis Lumière

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 14, 2026
Entity authorityQ8665
Source-derived summary

Workers Leaving The Lumière Factory in Lyon (French: La Sortie de l'Usine Lumière à Lyon), also known as Employees Leaving the Lumière Factory and Exiting the Factory, is an 1895 French short black-and-white silent documentary film directed and produced by Louis Lumière. It is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by six and a half years.

Content

Three separate versions of this film exist, which differ from one another in numerous ways- the clothing style changes demonstrating the different seasons in which they were filmed. They are often referred to as the "one horse", "two horses", and "no horse" versions, in reference to a horse-drawn carriage that appears in the first two versions (pulled by one horse in the original and two horses in the first remake). The collection of Institute Lumière contains a fourth film with the same theme, but very different architecture, and has been estimated to date from February 1897.

Another film with the same theme, presumably made in 1896, features another factory (or another entrance to the same factory) with different people. Unlike the people in most of Lumière's films, many of the subjects look at the camera.

Production

This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The place where the "Workers Leaving the Lumière Factory" was filmed is located 8th arrondissement of Lyon in Monplaisir, the street has since been renamed "rue du Premier-Film" and the factory is now known as the Institut Lumière, a museum dedicated to cinema history and the headquarters of the institute created in 1982 by Bernard Chardère and Maurice Trarieux-Lumière, the grandson of Louis Lumière.

Editorial summary

The public source identifies “Workers Leaving the Lumière Factory” as 1895 French short black-and-white silent documentary film directed by Auguste and Louis Lumière. This brief keeps that definition visible, then builds a research path around Workers, Leaving and Lumière.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1895, 1888, 1897, 1896—that can be checked directly. The linked authority record independently contributes the date 1895-03-22. Its value is orientation rather than verdict, with Workers, Leaving and Lumière providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Workers Leaving the Lumière Factory”, the useful work is to connect “1895 French short black-and-white silent documentary film directed by Auguste and Louis Lumière” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 14, 2026. The linked authority identifier is Q8665. Authority coordinates are 45.745, 4.870. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1895, 1888, 1897 and 1896.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Workers Leaving the Lumière Factory”, its source revision and the description used here.
  2. Expand the search: follow Workers Leaving the Lumière Factory primary sources, Workers Leaving the Lumière Factory archive and Workers research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Workers Leaving the Lumière Factory”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Workers Leaving the Lumière Factory” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.