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Salle Le Peletier

theatre of the Paris Opera from 1821 to 1873

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 20, 2026
Entity authorityQ3249117
Source-derived summary

The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873).

History

When Louis XVIII's nephew, Charles Ferdinand, duc de Berry, was fatally stabbed on the night of 13 February 1820 in front of the former theatre of the Paris Opera, the Salle de la rue de Richelieu, the king decided that the theatre would be demolished in order to build a commemorative chapel in its place. However, the project to build a chapel was never carried out due to the 1830 revolution. Today the Fontaine Louvois in the Square Louvois occupies the spot where the chapel would have been built. The Salle de la rue de Richelieu had been the principal venue of the Paris Opera since 1794. Very soon after the death of his nephew in February 1820, the king commissioned the architect François Debret to design a new theatre for the Opéra on the Rue Le Peletier, which was completed one year later. During the construction the opera and ballet companies occupied the Théâtre Favart and the Salle Louvois.

The Salle Le Peletier was inaugurated on 16 August 1821 with a mixed-bill that opened with the anthem "Vive Henry VIII", and included the composer Catel's opera Les bayadères and the Ballet Master Gardel's ballet Le Retour de Zéphire.

Editorial summary

Begin with the source’s own compact description: “Salle Le Peletier” is theatre of the Paris Opera from 1821 to 1873. The dossier treats that line as a proposition to test through Salle, Peletier and theatre, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1821, 1873, 1848, 1850—that can be checked directly. The linked authority record independently contributes the date 1820. For this dossier, Salle, Peletier and theatre is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “theatre of the Paris Opera from 1821 to 1873” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 20, 2026. The linked authority identifier is Q3249117. VIAF identifies the subject as 124695439. The Library of Congress control number is no2005054570. Authority coordinates are 48.873, 2.339. 2 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1821, 1873, 1848 and 1850.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Tracing reception history
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Salle Le Peletier”, its source revision and the description used here.
  2. Expand the search: follow Salle Le Peletier primary sources, Salle Le Peletier archive and Salle research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Salle Le Peletier”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Salle Le Peletier” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.