Le Bourgeois Gentilhomme (ballet)
ballet by George Balanchine
Le Bourgeois Gentilhomme refers to two different ballets by George Balanchine set to Richard Strauss's Concert Suite (1917), with a libretto after Molière's 17th-century comédie-ballet of the same name.
The first Balanchine Le Bourgeois Gentilhomme ballet was produced in 1932 by the Ballets Russes de Monte-Carlo. In 1979, Balanchine (with the assistance of Jerome Robbins) created all-new choreography for Le Bourgeois Gentilhomme, which premiered on 8 April 1979, with the New York City Opera at the New York State Theater, Lincoln Center, in New York City. This production was notable for being the first ballet Balanchine ever choreographed for Rudolf Nureyev (who at the time was 41 years old).
Performance history
Ballets Russes de Monte-Carlo
Balanchine's first Le Bourgeois Gentilhomme ballet was performed in 1932 by Wassily de Basil & René Blum's Ballets Russes de Monte-Carlo, featuring David Lichine and Tamara Toumanova, with sets by Alexandre Benois.
In 1944, the ballet was performed by the second iteration of the Ballet Russe de Monte Carlo, with Nicholas Magallanes (taking over for an injured Frederic Franklin), Maria Tallchief, and Nathalie Krassovska.
New York City Opera
The 1979 version of Le Bourgeois Gentilhomme included choreographic input from Jerome Robbins, who stepped in during a period of Balanchine's illness, as well as from Peter Martins, who choreographed one scene near the end of the ballet. By staging the ballet with the New York City Opera instead of Balanchine's customary New York City Ballet, the production was able to use Nureyev, who was not a member of NYCB. Costumes and sets were designed by Rouben Ter-Arutunian.
The premiere took place on 8 April 1979 at the New York State Theater, Lincoln Center, as part of a double bill with Henry Purcell's short opera Dido and Aeneas.
1979 opening night cast:
Jean-Pierre Bonnefoux — Mr.
Begin with the source’s own compact description: “Le Bourgeois Gentilhomme (ballet)” is ballet by George Balanchine. The dossier treats that line as a proposition to test through Bourgeois, Gentilhomme and ballet, not as a finished interpretation.
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Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jan 23, 2026. The linked authority identifier is Q6506598. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1917, 1932, 1979 and 1944.
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This entry incorporates text from “Le Bourgeois Gentilhomme (ballet)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.