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Laurel Hurley

American soprano (1927–2013)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 19, 2026
Entity authorityQ4502887 ↗
Source-derived summary

Laurel Hurley (February 14, 1927 – December 6, 2013) was an American soprano who had an active performance career in the mid-20th century. She performed a diverse repertoire from musical theatre, operetta and opera, encompassing roles in the lyric soprano and coloratura soprano repertoire.

While most often heard in works from the standard opera canon by Mozart, Puccini, Verdi, and other composers, she also performed in the premieres of Thomas Arne's Comus, Christoph Willibald Gluck's Paride ed Elena, and Darius Milhaud's Médée. Her performances and recordings in operas such as Vincenzo Bellini's La sonnambula and I Capuleti e i Montecchi, and Gioachino Rossini's La Cenerentola, and The Barber of Seville in the United States. contributed to the Bel canto revival movement of the 1950s.

Hurley was a principal artist at the Metropolitan Opera from 1955 through 1967, and performed with other American opera companies like the New York City Opera, Opera Company of Boston, New Orleans Opera, and Santa Fe Opera. Her voice is preserved on complete opera recordings made with the Met, including the roles of the Queen of the Night in Mozart's The Magic Flute (1957) and Mussetta in Puccini's La bohème (1958). She also made several recordings of complete operas with the American Opera Society (AOS) on disc and the NBC Opera Theatre for television.

Early life and education

Hurley was born in Allentown, Pennsylvania, on February 14, 1927, into a Pennsylvania Dutch family. Her mother was a church organist and she received her initial music education from her.

Editorial summary

This brief starts where responsible research should: with the source description of “Laurel Hurley” as american soprano (1927–2013). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1927, 2013, 1955, 1967—that can be checked directly. The linked authority record independently contributes the date 1927-02-14. The account is most persuasive where Laurel, Hurley and American can be independently traced.
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Why this record matters

The subject matters to the general reference register because the source frames it as american soprano (1927–2013). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Sep 19, 2026. The linked authority identifier is Q4502887. VIAF identifies the subject as 119790041. The Library of Congress control number is n88226174. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1927, 2013, 1955 and 1967.

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Source & attribution

This entry incorporates text from “Laurel Hurley” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.