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Last Man Standing (Jerry Lee Lewis album)

2006 album by Jerry Lee Lewis

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 10, 2026
Entity authorityQ115009 ↗
Source-derived summary

Last Man Standing is the thirty-ninth studio album released by American rock and roll pioneer Jerry Lee Lewis in September 2006. The album consists of duets between Lewis and some of the biggest names in both rock and country music, past and present. The title derives from the generation of 1950s Sun Studios recording artists such as Johnny Cash, Roy Orbison, Charlie Rich, Carl Perkins, and Elvis Presley—all of whom had died, leaving Lewis the "last man standing". Lewis died in October 2022, sixteen years and one month following the album's release. Following the success of the album, a DVD Last Man Standing Live was released featuring similar duets with famous artists.

Track listing

"Rock and Roll" (John Paul Jones, John Bonham, Jimmy Page, Robert Plant) – 2:14

With Jimmy Page

"Before the Night Is Over" (Ben Peters) – 3:39

With B. B. King

"Pink Cadillac" (Bruce Springsteen) – 3:55

With Bruce Springsteen

"Evening Gown" (Mick Jagger) – 3:57

With Mick Jagger and Ron Wood

"You Don't Have to Go" (Jimmy Reed) – 4:00

With Neil Young

"Twilight" (Robbie Robertson) – 2:48

With Robbie Robertson

"Travelin' Band" (John Fogerty) – 2:01

With John Fogerty

"That Kind of Fool" (Mack Vickery) – 4:14

With Keith Richards

"Sweet Little Sixteen" (Chuck Berry) – 3:04

With Ringo Starr

"Just a Bummin' Around" (Pete Graves) – 2:43

With Merle Haggard

"Honky Tonk Woman" (Jagger/Richards) – 2:21

With Kid Rock

"What's Made Milwaukee Famous (Has Made a Loser Out of Me)" (Glenn Sutton) – 2:39

With Rod Stewart

"Don't Be Ashamed of Your Age" (Cindy Walker, Bob Wills) – 1:59

With George Jones

"A Couple More Years" (Dennis Locorriere, Shel Silverstein) – 5:13

With Willie Nelson

"Old Glory" (Paul Roberts, Shelby Darnell, Jerry Lee Lewis) – 2:05

With Toby Keith

"Trouble in Mind" (Richard M. Jones) – 3:49

With Eric Clapton

"I Saw Her Standing There" (John Lennon, Paul McCartney) – 2:21

With Little Richard

"Lost Highway" (Leon Payne) – 2:59

With Delaney Bramlett

"Hadacol Boogie" (Bill Nettles) – 3:18

With Buddy Guy

"What Makes the Irish Heart Beat" (Van Morrison) – 4:12

With Don Henley

"The Pilgrim Ch. 33" (Kris Kristofferson) – 3:00

With Kris Kristofferson

Bonus tracks

The album was released with several promotional download-only tracks depending on the venue at which the album was purchased. For physical retail outlets, the bonus track was available from their official web site.

"Before the Night Is Over" (Rhapsody)

"Bright Lights, Big City" (Wal-Mart)

"Don't Put No Headstones on My Grave" (iTunes)

"I Don't Want to Be Lonely Tonight" (URGE)

"Last Cheaters' Waltz" (Target)

"Mexicali Rose" (Country Music Television)

"Trouble in Mind" (Napster)

"Why You Been Gone So Long?" (Best Buy)

"You Belong to Me" (Best Buy)

"A Couple More Years" — Live

Personnel

In addition to the guest stars, the album features Kenny Lovelace and producer Jimmy Rip on guitar, James "Hutch" Hutchinson on bass, and Jim Keltner playing drums. The liner notes were written by Peter Guralnick.

Editorial summary

“Last Man Standing (Jerry Lee Lewis album)” enters the record as 2006 album by Jerry Lee Lewis. Crown Archives preserves that source wording while asking what Last, Standing and Jerry can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2006, 2022—that can be checked directly. The linked authority record independently contributes the date 2006. Its strongest next move is a source search built around Last, Standing and Jerry.
Editorial analysis

Why this record matters

“Last Man Standing (Jerry Lee Lewis album)” is worth following because a concise public description often conceals a longer documentary argument. Here, Last, Standing and Jerry provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 10, 2026. The linked authority identifier is Q115009. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2006 and 2022.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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Source & attribution

This entry incorporates text from “Last Man Standing (Jerry Lee Lewis album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.