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Las Chicas del Can

band that plays merengue music

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 8, 2026
Entity authorityQ2262431
Source-derived summary

Las Chicas Del Can were an all-female merengue group from Dominican Republic. Originally created by pianist Belkis Concepción, several teams of female vocalists and musicians have alternately performed under the name Las Chicas del Can throughout the group's history.

History

Founded in 1981, Las Chicas del Can performed a number of hits throughout the eighties, and a great number of their singles and albums achieved gold and/or platinum status. Hits such as "El Negro No Puede," "La Media María," "Sukaína," "Juana la Cubana," "Culeca," "Ta' Pillao," "Fuego," "Fiebre," and "Las Pequeñas Cosas" are now regarded as merengue classics.

Las Chicas Del Can had tremendous success, receiving platinum records and gold records and made extensive tours around the world and Europe, including Venezuela, Ecuador, Colombia, Peru, Puerto Rico, the United States, Holland and others.

The dance "Juana La Cubana" was popularized by the eternal Cuban Teresa Dominguez. The album Juana la Cubana received a platinum record in Venezuela in 1988 for 100,000 copies sold and the single sold a further 50,000 copies, combining into one of the most recognized works in the entire trajectory of Las Chicas Del Can

Pianist Belkis Concepción left the group early to go solo in 1985. Singers Miriam Cruz and Eunice Betances then teamed up and got vocal support from, among others, Verónica Medina. Verónica Medina herself then went solo in 1987.

In 1988 singer Heidy Bello (replacing Verónica Medina), joined Las Chicas Del Can but was replaced in 1991 by singers Arismar Eduardo and Rosana Eusebio.

Editorial summary

The public source identifies “Las Chicas del Can” as band that plays merengue music. This brief keeps that definition visible, then builds a research path around Chicas, band and plays.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1981, 1988, 1985, 1987—that can be checked directly. The linked authority record independently contributes the date 1981. Its value is orientation rather than verdict, with Chicas, band and plays providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Las Chicas del Can”, the useful work is to connect “band that plays merengue music” to the records capable of establishing context and consequence.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Sep 8, 2026. The linked authority identifier is Q2262431. VIAF identifies the subject as 145607628. The Library of Congress control number is no98023097. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1981, 1988, 1985 and 1987.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  • Search vocabulary
  • Locating named sources
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  2. Expand the search: follow Las Chicas del Can primary sources, Las Chicas del Can archive and Chicas research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from Las Chicas del Can” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.