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Lady with an Ermine

painting by Leonardo da Vinci from around 1489–1490

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 2, 2026
Entity authorityQ474338 ↗
Source-derived summary

The Lady with an Ermine is a portrait painting by the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491, the work is painted in oils on a panel of walnut wood. Its subject is Cecilia Gallerani, a mistress of Ludovico Sforza ("Il Moro"), Duke of Milan; Leonardo was painter to the Sforza court in Milan at the time of its execution. It is the second of only four surviving portraits of women painted by Leonardo, the others being Ginevra de' Benci, La Belle Ferronnière and the Mona Lisa.

Lady with an Ermine is now in the Czartoryski Museum in Kraków, and is considered one of Poland's national treasures.

Description

Composition

The painting was executed in oils on a relatively small, 54.8 cm × 40.3 cm (21.6 in × 15.9 in) walnut wood panel. It depicts a half-height woman turned toward her right at a three-quarter angle, but with her face turned toward her left. The animal in her arms twists in a similar manner, resulting in considerable contrapposto with the lady, a technique Leonardo explored earlier with the angel in the Virgin of the Rocks. The work is prepared with a layer of white gesso and a layer of brownish underpaint. In general, the paint is evenly applied akin to the Mona Lisa, though certain areas of the lady's skin are more layered.

Editorial summary

“Lady with an Ermine” enters the record as painting by Leonardo da Vinci from around 1489–1490. Crown Archives preserves that source wording while asking what Lady, Ermine and painting can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1489, 1491—that can be checked directly. The linked authority record independently contributes the date 1490-01-01. Its strongest next move is a source search built around Lady, Ermine and painting.
Editorial analysis

Why this record matters

“Lady with an Ermine” is worth following because a concise public description often conceals a longer documentary argument. Here, Lady, Ermine and painting provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 2, 2026. The linked authority identifier is Q474338. VIAF identifies the subject as 182378356. The Library of Congress control number is n98075497. 1 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1489 and 1491.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Lady with an Ermine”, its source revision and the description used here.
  2. Expand the search: follow Lady with an Ermine primary sources, Lady with an Ermine archive and Lady research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Lady with an Ermine”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from “Lady with an Ermine” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.