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Lady Madonna

original song written and composed by Lennon–McCartney

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 24, 2026
Entity authorityQ1353906
Source-derived summary

"Lady Madonna" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. In March 1968, it was released as a mono non-album single backed with "The Inner Light". The song was recorded on 3 and 6 February 1968 before the Beatles left for India, and its style drawing from boogie-woogie signalled a more conventional approach to writing and recording for the band, following the psychedelic experimentation of the previous two years.

This single was the last release by the band on Parlophone in the United Kingdom, where it reached number 1 for the two weeks beginning 27 March, and Capitol Records in the United States, where it debuted at number 23 on the Billboard Hot 100 for the week ending 23 March and reached number 4 from the week ending 20 April through the week ending 4 May. Subsequent releases, starting with "Hey Jude" in August 1968, were released on their own label, Apple Records, under EMI distribution, until the late 1970s, when Capitol and Parlophone re-released old material. The song's first album appearance in stereo was on the North American collection Hey Jude compilation, released in 1970, and on the global market collection 1967–1970, released in 1973.

Inspiration

In the description of musicologist Walter Everett, "Lady Madonna" is a "raucous rock and roll" song. As such, it heralded the Beatles' return to a more standard form of songwriting after their recent psychedelic productions, a back-to-basics approach that many other artists pursued throughout 1968. According to one of Paul McCartney's neighbours at his farm in Scotland, McCartney previewed the song on a piano during a visit he and Jane Asher made from London in early December 1967. Author Jonathan Gould views the timing as propitious, since the British music press in early 1968 "[began] to tout the idea of a 'rock-and-roll revival' as a corrective to the excesses of psychedelia".

Editorial summary

“Lady Madonna” enters the record as original song written and composed by Lennon–McCartney. Crown Archives preserves that source wording while asking what Lady, Madonna and original can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1968, 1970, 1967, 1973—that can be checked directly. The linked authority record independently contributes the date 1968. Its strongest next move is a source search built around Lady, Madonna and original.
Editorial analysis

Why this record matters

“Lady Madonna” is worth following because a concise public description often conceals a longer documentary argument. Here, Lady, Madonna and original provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 24, 2026. The linked authority identifier is Q1353906. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1968, 1970, 1967 and 1973.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Lady Madonna”, its source revision and the description used here.
  2. Expand the search: follow Lady Madonna primary sources, Lady Madonna archive and Lady research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Lady Madonna”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Lady Madonna” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.